JJ LHeureux
Nude Male Maids
Venice, California

Feminism Now

Visual Art Exhibition by the Feminist Image Group, Shoebox Projects and Krogen Amerika

Shoebox Projects, Los Angeles
1660 South Avenue 21 #3
Los Angeles, California, CA 90031
http://www.shoeboxprojects.com
https://www.facebook.com/shoeboxprojects/

 

The exhibition will run Feb 24 – March 11, 2018
Opening Reception: opening Sunday Feb 25, 3-6pm
Gallery hours by appointment
All events free and open to the public.

http://fig-art.blogspot.com/

Members of the San Diego Feminist Image Group, Shoebox Projects and the Swedish Group Krogen Amerika present artworks that explore multiple visions of what feminism is today, in the context of Southern California and Northern Europe. Artists address the complexity of gender equality through themes such as sexism, body image, class, race, politics, spirituality, domesticity, biology, and history.

This exhibition will travel to Stockholm, Sweden in May 2018.

The public is invited to attend the opening reception on Sunday, February 25, from 3-6pm at Shoebox Projects in the Brewery Arts Complex, Los Angeles. Artists will be present to engage the public.

The Feminist Image Group was formed in 2009. FIG is a coalition of San Diego visual artists who meet to discuss art, see exhibitions, and support one another in our careers. We work across many media, including drawing, painting, photography, sculpture, installation, digital media and performance. The group has had exhibitions at San Diego Mesa College, Art Produce Gallery, Hyde Gallery at Grossmont College, Art San Diego Artfair, and has an upcoming exhibition at the Women’s Museum of California.
“Krogen Amerika” is the name of a Swedish printmaking group in the region of Östergötland in Sweden. The group works out of a a red wooden house from 1704 in the very center of the Swedish city of Linköping. During the years, it has functioned as a private home, a local pub, and a meeting place for emigrants to America (hence the name of the house, “Krogen Amerika”). Now it is a fully functional printmaking studio and art gallery. This artist-run gallery and studio space is partly funded by the city of Linköping. About 20 artists work here, and also together manage the space, with the support from the local community. The gallery exhibits artists from all over Sweden. Krogen America has exhibited as a group at Norrköpings Museum, Östergötlands Museum, Grafiska Sällskapet, the Palo Alto City Hall, Odense Konsthall Danmark, Berlin Kunstfactor.

Participating Artists:

Agneta Östlund, Amy Paul, Ann Olsen, Anna Stump, Anna Zappoli, Anne De Geer, Åsa Kvissberg, Berit Hammarbäck, Bhavna Mehta, Bibi Davidson, Caroline Färnström, Catherine Ruane, Cathy Immordino, Cecilia Uhlin, Chenhung Chen, Christina Ruthger,, Cindy Zimmerman, Dani Dodge, Daphne Hill, Diane Williams, Dwora Fried, Emily Blythe Jones, Emily Wiseman, Erika Lizée, Ginger Rosser, Grace Gray-Adams, Hannah Johansen, Hasti Radpoor, Helen Redman, Irene Abraham, Isabelle Nilsson, Jane Szabo, Janice Grinsell, Jeanne Dunn, Jennifer Bennett, Jenny Treece Jorup, JJ L’Heureux, Judy Christensen, Kathi McCord, Kathleen Mitchell, Kathy Miller, Kathy Nida, Kim Niehans, Kit Aaboe, Kristine Schomaker, Lauren Carrera, Lena Möller, Lena Wiklund, Linda Litteral, Linda Rae Coughlin, Lisa Hutton, Marina Holmberg, Moya Devine, Nilly Gill, Nurit Avesar, Petrina Cooper, Pia Göransson-Lie, Prudence Horne, Randi Leirnes, Randi Matushevitz, Samantha Fields, Samuelle Richardson, Sheli Silverio, Stacie Birky-Greene, Stephanie Bedwell, Susan Amorde, Susan Osborn, Susan T. Kurland, Terri Hughes-Oelrich, Terrilynn Quick, Yasmine Diaz

 

 

Reality of Nature

On view September 9 to September 30, 2017
Opening reception September 9, 2017 6-9 pm

Launch LA
170 S La Brea Ave
Los Angeles Ca 90036
323-899-1363
www.launchla.org

The Reality of Nature as an environmental macrocosm is not always the nurturing, restorative, spiritual, user-friendly place one imagines; nor is it the heroic antidote to civilization as fetishized by our self-critical, urbane society. Nature is not only mankind’s victim but also its source and master. It is full of wonder. It loves its children but also takes revenge.

This group of 13 artists working in painting, photography, drawing, as well as quasi-sculptural and saliently hybrid mediums, each use both experience and concept to explore the conflicts and confluences between what we want and what we have when it comes to living in a world the belongs to both Man and Nature.

For curator Kristine Schomaker, landscape and metaphor is an infinitely expandable continuum, which as this diverse group of artists demonstrates, is vast enough to encompass a range of materials, styles and techniques from evocative total abstraction to narrative and conceptual pictorialism. In that conceptual and art historical context, The Reality of Nature reflects the complexities and contradictions not only of our mythological relationship to the natural world but of our actual existence within it.

Where many seek out and embrace the enduring beauty, majesty and intimate details in the forms of its flora and fauna, its skies, ice, storms, and sunsets, others take an approach of critique and caution, using industrial materials or depicting the dire consequences of humanity’s subjugation of nature. With motifs culled from sources in architecture and wilderness, science and science fiction, resource scarcity, pollution, evolution, tenacious adaptation, and sublime phenomenology, this timely, even urgent, exhibition uses visual art’s capacity for resolving paradoxes and imaging the impossible to demonstrate frameworks for changing the adversarial dynamic to one of cooperation and humility. Ultimately, a battle against nature is not only one mankind cannot truly win, but one not at all worth waging.

Participating Artists: Andrea Bersaglieri, Catherine Ruane, Constance Mallinson, Devon Tsuno, Erika Lizée, Jeanne Dunn, Jennifer Gunlock, JJ L’Heureux, Marie Thibeault, Samantha Fields, Steve Seleska, Terry Arena, Virginia Katz

Ross Ice Shelf

J.J. L’Heureux

 

Artist and naturalist, J.J. L’Heureux has traveled to Antarctica seventeen times since 2000 documenting the landscape, the creatures that live there and attempts at human habitation. She recently returned home to open several exhibitions at museums and galleries across the United States.

J.J. L’Heureux is a visual artist based in Venice, CA who makes documentary style photographs as well as paintings and collages. She is an environmentalist who is interested in the micro and the macro. This has led her to photograph both near and far— the community around her Venice Beach studio as well as the exotic Antarctic landscape.

In 2000 L’Heureux made her first foray to Antarctica and returned every year thereafter accumulating a huge archive of digital images that range from close-ups of albatross and penguins, to expansive shots of the Ross Ice Shelf as well as more intimate pictures of Sir Ernest Shackleton’s hut at Cape Royds. L’Heureux initially traveled to Antarctica to photograph the patterns of ice and snow as source material for a series of abstract paintings. She was seduced and intrigued by the beauty of the white on white wilderness and realized there were more aspects of the landscape that attention must be paid to that she expanded her project to include photographing Antarctica’s environs, wildlife and history.

L’Heureux is a naturalist and true adventurer. Her numerous photographic series include images of penguins, seals and polar bears as well as photographs of the people she encounters on her expeditions. To travel so far and endure harsh conditions takes a seasoned traveler and if L’Heureux was not that before her first journey she has certainly become one.
In order to make the photographs included in her vast and amazing archive she experienced Antarctica as a passenger on a Russian icebreaker, participated as an art and photography lecturer on adventure cruises as well as on her own in a small motor sailor, the Golden Fleece, to circumnavigate South Georgia Island. L’Heureux also participated with the South African Penguin Study on Robben Island, South Africa, collecting data that the Marine and Coastal Management Unit of South Africa used to learn about the habits of this endangered species.

L’Heureux’s work has been included in hundreds of national and international solo and group exhibitions since the 1980’s. She attended the San Francisco Art Institute, San Francisco, California, the Academy of Art, San Francisco, California, the Parsons School of Design, New York, New York, and Eastern Michigan University, Ypsilanti, Michigan.
L’Heureux isn’t slowing down. She has 3 solo exhibitions being installed over the next 2 months and she is currently participating in several group exhibitions throughout the United States.

Solo Exhibitions:
“Faces from the Southern Ocean,” Houston Museum of Natural Science, Houston, TX,
June 16, 2017 – March 18, 2018.
“Faces from the Southern Ocean,” New York Hall of Science, NYC,
June 3 – September 8, 2017.
“Faces from the Southern Ocean,” The Explorium, Lexington, KY, March 6 – June 2, 2017.

Group exhibitions:
“Personal Narratives,” Annenberg Beach House, Santa Monica, CA, February 29 – June 4, 2017.
“At The Museum 2017,” Oceanside Museum of Art, Oceanside, CA, March 4 – August 27, 2017.
“Animalia,” Center for Fine Art Photography, Fort Collins, CO, April 7 – May 13, 2017.
“At The Walker,” Walker Art Gallery, Garnett, KS, April 3 – May 28, 2017.
“Resonance & Memory,” Irving Arts Center, Irving, TX, April 22 – July 9, 2017.

16931081_10155385252010715_1325643110_oPersonal Narrative

Annenberg Community Beach House Gallery

Group show
Opening reception February 28, 6pm – 8pm
February 28 – June 4, 2017
Artist Talk May 6, 1:30pm – 3pm
Annenberg Community Beach House Gallery
415 Pacific Coast Hwy, Santa Monica, CA 90402
https://www.annenbergbeachhouse.com/

 

Los Angeles (February 2017) – Opening February 28th, the Annenberg Community Beach House Gallery in Santa Monica will host a group show of contemporary artists who share the experience of being outsiders in Donald Trump’s America. In “Personal Narrative”, curators Diane Williams and Sheli Silverio have brought together artists from diverse backgrounds of immigrant diaspora and gender identity.

Intending to stimulate conversation, inspire creativity and increase understanding of contemporary art in the context of today’s society, the curators have collected works that raise issues and question of both cultural and social consciousness. A panel discussion on May 6th underlines this awareness with a dialogue about process and experiences as 21st century artists living and working in Los Angeles.

The work explores materials that promote a sensory experience and story lines from contemporary artists whose works are experimental, provisional, gestural and instinctive. Each artist possesses an individual approach to his or her artistic methods, working and reworking in a range of technique and materials. These themes are examined in their individual bodies of work.

Participating artists: Mardi De Veuve Alexis, Susan Amorde, Terry Arena, Chenhung Chen, Rick Dallago, Bibi Davidson, Dwora Fried, JJ L’heureux, Tom Lasley, Erika Lizee, Randi Matushevitz, Malka Nedivi, Robert Nelson, Linda Sue Price, Kristine Schomaker, Sheli Silverio, Robert Soffian, Diane Williams.