Randi Matushevitz

Conundrum Solo Exhibit

March 17th-April 20th, 2018 Opening reception: Saturday, March 17th, 6-9 p.m.

LAAA | Gallery 825 825 N. La Cienaga Blvd., CA 90069 Ph. 310.652.8272

Randi Matushevitz’s unmasked expressionism

(Los Angeles, California) – Gallery 825 is pleased to present a solo exhibit with L.A.-based artist Randi Matushevitz whose works on canvas deliver an unmasked view of humanity within our current socio-political climate. Matushevitz’s themes of social inequities seen from the point of view of the homeless and technologically-mobile paint a stark portrait of humanity.

Matushevitz further draws upon contrasts materially, through dense networks of markmaking, stenciling, spray-painting, and traditional painting in oil and acrylic. The works’ charged positive and negative spaces illuminate her subjects conflating tender vulnerability with violence and dislocation.

Matushevitz draws upon and resonates with the aesthetics of German Expressionism whose adopters reacted to the rise of academic art, nationalism, and militarism leading up to, and during World War I. Expressionism’s narratives advanced humanistic ideas of social displacement, alienation, urbanization and eschewed formal conventions of Impressionism and academic art. In her 2017 essay Expressive Intensity, writer Betty Ann Brown articulated in Matushevitz’s art, an essential expression of the “…the human condition, our quest for connectivity, and the pain we all suffer in this earthly existence.”

The public is invited to attend Matushevitz’s opening reception on Sunday, March 17th, 6-9 p.m. where the artist will be on hand to discuss her techniques and questions.

JJ LHeureux
Nude Male Maids
Venice, California

Feminism Now

Visual Art Exhibition by the Feminist Image Group, Shoebox Projects and Krogen Amerika

Shoebox Projects, Los Angeles
1660 South Avenue 21 #3
Los Angeles, California, CA 90031
http://www.shoeboxprojects.com
https://www.facebook.com/shoeboxprojects/

 

The exhibition will run Feb 24 – March 11, 2018
Opening Reception: opening Sunday Feb 25, 3-6pm
Gallery hours by appointment
All events free and open to the public.

http://fig-art.blogspot.com/

Members of the San Diego Feminist Image Group, Shoebox Projects and the Swedish Group Krogen Amerika present artworks that explore multiple visions of what feminism is today, in the context of Southern California and Northern Europe. Artists address the complexity of gender equality through themes such as sexism, body image, class, race, politics, spirituality, domesticity, biology, and history.

This exhibition will travel to Stockholm, Sweden in May 2018.

The public is invited to attend the opening reception on Sunday, February 25, from 3-6pm at Shoebox Projects in the Brewery Arts Complex, Los Angeles. Artists will be present to engage the public.

The Feminist Image Group was formed in 2009. FIG is a coalition of San Diego visual artists who meet to discuss art, see exhibitions, and support one another in our careers. We work across many media, including drawing, painting, photography, sculpture, installation, digital media and performance. The group has had exhibitions at San Diego Mesa College, Art Produce Gallery, Hyde Gallery at Grossmont College, Art San Diego Artfair, and has an upcoming exhibition at the Women’s Museum of California.
“Krogen Amerika” is the name of a Swedish printmaking group in the region of Östergötland in Sweden. The group works out of a a red wooden house from 1704 in the very center of the Swedish city of Linköping. During the years, it has functioned as a private home, a local pub, and a meeting place for emigrants to America (hence the name of the house, “Krogen Amerika”). Now it is a fully functional printmaking studio and art gallery. This artist-run gallery and studio space is partly funded by the city of Linköping. About 20 artists work here, and also together manage the space, with the support from the local community. The gallery exhibits artists from all over Sweden. Krogen America has exhibited as a group at Norrköpings Museum, Östergötlands Museum, Grafiska Sällskapet, the Palo Alto City Hall, Odense Konsthall Danmark, Berlin Kunstfactor.

Participating Artists:

Agneta Östlund, Amy Paul, Ann Olsen, Anna Stump, Anna Zappoli, Anne De Geer, Åsa Kvissberg, Berit Hammarbäck, Bhavna Mehta, Bibi Davidson, Caroline Färnström, Catherine Ruane, Cathy Immordino, Cecilia Uhlin, Chenhung Chen, Christina Ruthger,, Cindy Zimmerman, Dani Dodge, Daphne Hill, Diane Williams, Dwora Fried, Emily Blythe Jones, Emily Wiseman, Erika Lizée, Ginger Rosser, Grace Gray-Adams, Hannah Johansen, Hasti Radpoor, Helen Redman, Irene Abraham, Isabelle Nilsson, Jane Szabo, Janice Grinsell, Jeanne Dunn, Jennifer Bennett, Jenny Treece Jorup, JJ L’Heureux, Judy Christensen, Kathi McCord, Kathleen Mitchell, Kathy Miller, Kathy Nida, Kim Niehans, Kit Aaboe, Kristine Schomaker, Lauren Carrera, Lena Möller, Lena Wiklund, Linda Litteral, Linda Rae Coughlin, Lisa Hutton, Marina Holmberg, Moya Devine, Nilly Gill, Nurit Avesar, Petrina Cooper, Pia Göransson-Lie, Prudence Horne, Randi Leirnes, Randi Matushevitz, Samantha Fields, Samuelle Richardson, Sheli Silverio, Stacie Birky-Greene, Stephanie Bedwell, Susan Amorde, Susan Osborn, Susan T. Kurland, Terri Hughes-Oelrich, Terrilynn Quick, Yasmine Diaz

 

 

Cynthia Minet
Migrations

International Museum of Art and Science (IMAS)
1900 W Nolana Ave McAllen, Texas 78504
http://theimasonline.org
http://cynthiaminet.com/

April 14th to September 2nd, 2018
Public reception April 14th 3-5pm

Open Studio at the Brewery
660 South Avenue 21 #10 LA Ca 90031
Sunday March 4th 2-5pm

Facebook event

 

(McAllen, Texas) – Los Angeles artist Cynthia Minet is pleased to present Migrations, a one-person exhibition at The International Museum of Art and Science (IMAS) in McAllen, Texas, from April 14th to September 2nd, 2018.

Migrations takes borderland regions of the Rio Grande Valley as its point of departure and specifically uses the Roseate Spoonbill, a large bird native to the Southeast coastal region as an artistic surrogate for human experiences. Minet is well known for the creation of large-scale sculptures of animals constructed from repurposed plastics—detergent bottles, water containers, found toys, etc. that are then illuminated from within by glowing LED lights. She creates magnificent aesthetic objects that metaphorically call attention to our dependency on electricity and petrochemicals. Her conceptually and politically astute artworks draw the audience in, and then prompt them to thoughtfully consider and question contemporary society and lifestyle.

In Migrations, Minet will exhibit five suspended sculptures and one floor piece in addition to select wall-mounted drawings. Like most of her installations, this work is site-responsive, and uses recycled plastic debris from Los Angeles in addition to found materials gathered from the borderlands region of the Rio Grande Valley. The center piece of the installation is a graceful representation of the Roseate Spoonbill in various stages of flight. These sculptural birds are accompanied by light sequencing and motion activated sound that consists of wing beats, running water, bird calls and footsteps through grass that create a sense of mystery and movement in the darkened space. In addition, embedded into these sculptures are artifacts dropped by migrants who have crossed the border fence or the Rio Grande River into Texas. Minet’s visually accessible, meaningful and richly layered works call attention to the fact that plastic will erode but never disappear, that habitats and species will be lost to climate change and pollution and never return, and that people will risk everything to escape intolerable situations only to be denied entry into a new land.

Cynthia Minet’s artworks have been exhibited both in the USA and internationally. Her recent solo exhibitions include: Avian, Vita Art Center at the Bell Arts Factory, Ventura (2016); Beast of Burden, USC Fisher Museum of Art, University of Southern California (2015); Packing Caravan, the Los Angeles International Airport, (2013), Unsustainable Creatures, UC Riverside’s Culver Center for the Arts (2012), as well as installations at the Anchorage Museum, AK (2014), the Huntington Beach Art Center, the Los Angeles Museum of Natural History, and at GATE Projects, Glendale. International group exhibitions include museum and gallery shows since 2000. Minet is professor of studio art at Moorpark College, Moorpark, CA.

Monica Wyatt
Continuum

Solo exhibition

Opening reception: January 20, 2018 6-8pm
On view: January 20 to March 3, 2018

MOAH: Cedar
44857 Cedar Ave
Lancaster, CA 93534

lancastermoah.org
monicawyatt.com

(Lancaster, California) – The Museum of Art and History in Lancaster, California, is pleased to present Continuum, a solo exhibition by Los Angeles based artist Monica Wyatt.

The curator of the exhibition, jill moniz, writes in an essay, “Monica Wyatt is an artistic alchemist, collecting materials and turning them into precious objects. In this process, Wyatt fuses the history of the materials together to create new beginnings, representing the cyclic nature of all things. This exhibition is a metanarrative of this practice, where Wyatt continues to reimagine objects and compositions that speak forcefully about her inspirations, interventions and intentions.

Wyatt is passionate in her hunt for materials, honoring the histories of these elements whilst stripping them bare so that her reworking feels organic and never forced. She dissembles organs, pianos, cables, sieves and other utilitarian items from a past when people valued human production and craftsmanship. Her objects honor that past and create a new language on an aesthetic continuum that conveys the resonance of an alchemy that we all possess, and reminds the viewer that identity and community are made from diverse elements brought together in harmony.

In another layer of synergy, Wyatt is interested in transforming inorganic materials into shapes that signify nature. Her assemblage is filled with both organic and manmade materials and she challenges the viewer to consider the aesthetic qualities of each as they contribute to her compositions. She makes electric capacitors look like plant life and zip ties mimic deep sea life in order to further a dialog about preservation of all the things we should hold dear.”

MOAH Cedar presents Continuum, Wyatt’s first installation at the museum and the ongoing collaboration with curator jill moniz. Wyatt’s assemblage has evolved from the early influence of Joseph Cornell to a more outside of the box approach. She credits Betye Saar, Claire Falkenstein, Ruth Asawa, Louise Bourgeois, Eva Hesse and Lee Bontecou with giving her the courage and impetus to pursue engaging themes and compositions that reflect her love for materials, and the new life and meaning she gives them.

Scott Froschauer’s “Word on the Street” public art project featured on ABC7 news

 

Scott Froschauer
Word on The Street

 

On ABC7 News

In the LA TImes

scottfroschauer.com
shoeboxpr.com

For more info and a map to the signs

By utilizing the materials and visual language of street signs, Los Angeles-based artist Scott Froschauer is able to harness the power of authority while playing with viewers understanding and perception of public space and the role of art in it. By replacing the traditional controlling language on public street signs with positive life-affirming statements, The Word on The Street seeks to provide something that is missing from our hum-drum daily visual diet.

Scattered throughout and sponsored by the city of Glendale, California, Froschauer has placed 20 different custom street signs all over, hoping to engage and inspire city visitors and residents to see the world just a little bit brighter. The signs range in message and tone, but maintain the standard directional sign styles and shapes. Touching on positivity, curiosity and absurdity, Froschauer’s signs are evocative, supportive and whimsical, inspiring a smirk or smile to all those who view them.

Juxtaposing the expectations of passersby, Froschauer is particularly fascinated with the role of the public space—hoping to combat the common thought that public space is meant to host signage and messaging to control and conform people in order to keep things copasetic and peaceful among the masses. Froschauer has utilized this expectation in order to produce a positive and shocking response from his viewers. Applying the power of street art to the concept of public signage, he has found an untapped area of captivation in contemporary art where the street art is not a visually rebellious statement, illegally operating and going against the system. Instead, Froschauer employs a contextual rebellion from the mundane messaging but still utilizes the government-approved signage style in order to gain proper attention from viewers as well as utilize the positive shock value of his opposing messages.

These signs are so similar to the traditional street signs that many people pass right by them without even realizing the signs say something different than they expected. This aha moment is a mandatory aspect of Froschauer’s work, demanding the viewers’ participation to complete this experiential artwork.

Aiming to give viewers a positive yet momentary emotional lift, Froschauer hopes that people who see his signs start to expect extraordinary things in ordinary places more often, evoking greater imagination and positivity by the masses. His messaging in The Words on The Street are simple yet thought provoking, with self-love and compassion at the core of his sign statements. With just 20 new additions to the city’s public space, Glendale now offers all visitors and residents a boost of positive energy and personal empowerment.

In the LA TImes

About the artist:
Scott Froschauer is a experimental artist and art fabricator in Los Angeles. His background consists of a structured education in Engineering, Photography, Computer Programming and Business. He earned a B.A. in Theoretical Linguistics from Syracuse University and has broad practical experience in Fabrication, Design, Non-ordinary Reality, Experiential Narrative, Venture Capital, Counterfeiting and Breathing. His background in the motion picture industry as a Key Grip has given him the skills to rapidly deploy large engineering projects for television shows, feature films, commercials and music videos. His fine artwork covers a broad range of subjects and materials from ephemeral street art and experiential narrative events to gunpowder illustration and alternative technique photography to practical sculpture and many large scale pieces for the Burning Man Festival, including the fabrication of The Church Trap, a large scale sculpture which was featured in numerous publications. Scott also fabricated RuckusRoots’ 2015 Wild Art sculpture, for the LA Zoo.

First Street Gallery. One Colorado’s Annual Art + Design Open Market

One Colorado’s Annual Art + Design Open Market

Sunday, October 15, 10a – 3p

Featuring art for sale from students and alumni of Art Center College of Design & Pasadena City College + pop ups with Vroman’s Bookstore, Fallen Fruit, Flower Pepper Gallery, First Street Gallery, kids’ face painting and more!

PUBLIC: 626.564.1066 or visit OneColorado.com
MEDIA: McLean Emenegger at 626.564.1066 or mclean@onecolorado.com
One Colorado Old Pasadena – 41 Hugus Alley, Pasadena, CA 91103
Facebook & Instagram – OneColoradoOldPasadena
Twitter & Pinterest – OneColorado

OLD PASADENA, CA

Sunday, October 15, 10a – 3p
Art + Design Open Market
An open-air art market with artists from
Art Center College of Design and Pasadena City College

& pop-ups from
Vroman’s Bookstore
Fallen Fruit
Flower Pepper Gallery
First Street Gallery Art Center
& Twigzz Flower Market in the courtyard
+ kids’ face painting, live music and more!

Event is free and open to the public.

Now celebrating its 16th year, One Colorado is pleased to present Art & Design Open Market featuring artwork for sale from students and alumni of Pasadena’s leading cultural institutions, Art Center College of Design and Pasadena City College

Art and artisans will fill the One Colorado courtyard and tree-shaded pedestrian alleyways, and the day will be accompanied by live music from Mikael Pederson.

Artworks will include one-of-a-kind prints, photos, paintings and ceramics, as well as handmade jewelry and snazzy accessories. One hundred percent of the proceeds go directly to the artists and pop-up partners.

Art & Design Open Market is always a lovely way to spend a pleasant afternoon. This is a great event for all ages. Even the little ones can bring home a little art courtesy of our face painter!

Flower Pepper Gallery. One Colorado’s Annual Art + Design Open Market

About our Art & Design Pop-Up Partners:

Fallen Fruit began by mapping fruit trees growing on public property in their hometown of Los Angeles. The collaboration has expanded to include public projects and site-specific installations in cities around the world. Using fruit as a method for reframing the familiar, Fallen Fruit investigates urban space, ideas of neighborhood and new forms of citizenship.

First Street Gallery Art Center is an exhibition space, studio and arts management center for adults with developmental disabilities in Claremont, California. It is a unique resource of the Tierra del Sol Foundation, which is founded on the proposition that human potential for creativity and artistic expression is not limited by physical or intellectual challenges. First Street will be offering “Live Portrait Drawing” by Victor Frias, master draftsman, as well as other gallery artists’ work.

Located in Old Pasadena, Flower Pepper Gallery exhibits local and international artists. Their program includes exhibition and events, as well as making artist prints, home collectibles and books accessible to the public. Always a good neighbor, Flower Pepper Gallery has partnered with students and alumni from Art Center, and was part of Old Pasadena’s recent district-wide art intervention, Bold Pas. Featured artists at Art & Design will include: Amy Van Gilder, Valerie Pobjoy, Liten Kanin, Yetis & Friends, Po Yan Leung as well as others from Flower Pepper Gallery’s roster.

Founded in in 1894 by Adam Clark Vroman, Vroman’s Bookstore holds an important place in Southern California’s literary history. For many years, Vroman’s was the largest bookstore west of the Mississippi, and remains the oldest and largest independent bookstore in So Cal. Throughout its storied legacy, Vroman’s has continued to be an independently owned family business. In 2009, Vroman’s added WeHo’s beloved Book Soup to its familial fellowship when it acquired the store after it was in danger of closing. In 2017, One Colorado partnered with Vroman’s for its seasonal Book Club.

Twigzz will host its Flower Market in the courtyard at this year’s Art and Design Open Market. With its quaint One Colorado shop located in Smith Alley, Twigzz is a floral and botanical shop and creative design studio. A small, family-operated business, Twigzz has been serving the Pasadena community since 2014, with an emphasis on special occasions, weddings and just because.

One Colorado’s Annual Art + Design Open Market

 

Huddle – A Postcard Show at Shoebox Projects. Photo Credit. Kristine Schomaker

**UPDATE** I am so excited to announce, we raised $1400 to be split between the ACLU, Planned Parenthood and the Trevor Project!!

HUDDLE

The #equalityforall #resist postcard art show

Hosted by Shoebox Projects and Art and Cake

Curated by Kristine Schomaker
Sponsored by Shoebox PR

From womensmarch.com…

“First, we marched. Now we Huddle. We will gather together in our neighborhoods all over the world to define our next steps, and envision how to transform the energy we saw at Women’s Marches into local and national action.

Huddle (n.) – a small group of people holding an informal conversation”

I was part of a recent huddle in Los Angeles. It was an amazing experience to feel like we aren’t alone in our thinking about the current political climate. We talked about what is going on in our country and what we could do to make a difference.

This is one of my next steps. I am curating a postcard art show at Shoebox Projects in September 2017.

Sales: All work is donated to the show and sold for $25 each. 100% of proceeds will be donated equally to the ACLU, Planned Parenthood and the Trevor Project. Payable by Check, Cash or Credit Card (additional fees may apply) at the reception.

Thank you for sharing your voices!!

Follow Art and Cake, Shoebox Projects and Shoebox PR to keep up with the latest information on our HUDDLE.