(Woodland Hills, California) – Please join us Thursday September 13th 6-8pm at the Pierce College Art Gallery for the reception of Erika Lizée’s Solo Exhibition. Lizée is a painter who creates illusion-based installations. Mysterious, biomorphic forms appear to exist within the walls of the gallery, while tendril-like elements expand and emerge into the physical space of the viewer. She imagines gallery walls as symbolic thresholds between different realms of existence, between life and death. The illusionistic quality of these installations also speaks to how perceptions and beliefs create reality.
The use of illusion in her work is important, as it gives rise to simultaneous feelings of wonder and uncertainty in viewers. For Lizée, it serves as a metaphor for how we can feel such awe for the beauty, complexity and interconnectedness of the world we live in, while also harboring intense feelings of doubt and anxiety surrounding the big questions of where we come from, what the purpose of our lives is and what happens when we eventually die.
Lizée has always been drawn to Plato’s Allegory of the Cave, which is a tale that considers how our perceptions of the world around us create what we believe to be real. When our perceptions change through experience, so do our concepts of what is real. In her installations, the use of illusionistic and sculptural paintings work in conjunction with actual light and shadow to create a transformative experience for viewers, as their perceptions shift with a greater understanding of the relationship between artistic materials and exhibition space.
The installations serve as a parallel for the journey of our personal and shared life experiences. Individually, each piece has its own inspirations, pulling from sacred geometry, nature and symbols of the feminine. Overall, these works speak to the deep-rooted questions we have always faced in relation to the existence of the universe and our role in it.
Erika Lizée was born in Chicago, Illinois, yet was raised in a tiny town in Northern Wisconsin. Much of her childhood was spent exploring the woods, swimming the lakes and climbing the snowdrifts of this serene part of the country. Her upbringing fostered a strong connection to the natural world, which remains an important aspect of Lizée’s life and artwork.
Ms. Lizée is an artist that creates site-specific, illusion-based installations with acrylic paint. Most recently, she has built installations within the Vita Art Center, Gallery 825, Launch LA, ArtShare LA, and the International Terminal at the Los Angeles International Airport (LAX). Her work has been featured in Juxtapoz, Beautiful/Decay, HiFructose, The Huffington Post and Beautiful Bizarre magazines.
Erika Lizée earned a BFA in Painting from UNC Asheville, and her MFA in Painting from CSU Northridge. She is a Professor of Art at Moorpark College, as well as the Director of the Moorpark College Art Gallery. She lives and works in the greater Los Angeles area.
May 2-30, 2018
School of Visual Arts Project Spaces CE
The School of Visual Arts (SVA) presents Searching, a solo show by artist Kathryn Hart. The exhibition will be on view from May 2-30, 2018 in the Project Spaces CE locations at 209 East 23rd Street, Main floor, and 380 2nd Ave, 8th floor. This is Hart’s first solo show at the SVA.
In this solo exhibition, Hart explores the web of emotions confronted in the search to begin anew, and the burden of choice. She continues her dialogue with evolving identity and the hope for new beginnings amidst a maze of emotional conflict, pain, and self-doubt.
Hart offers, “after life leaves us tumbled upside down, completely derailed, we pick ourselves up and begin the search for…personal truth, enlightenment, growth, love, connections, a place to feel comfortable, a place to call home. We even search for the place to start the search. My flightpath was obliterated by an onslaught of happenings – my husband’s cancer, the deaths of both my parents, and my own struggle with an ongoing disease and trauma. How do I move forward?
The search starts with one intent, one thought, one moment, one breath, one catalyst, one cell, one dot. A series of dots, actions, sparks, ideas, or energy becomes a line, a trajectory. Lines reveal potential paths ahead and scars of the ones just followed.”
Kathryn Hart presents this theme across an array of media, which further illustrates the plethora of options for the journey. An on-site installation of hundreds of lines, wires and embedded glass lenses explores the miasma of available routes, some more circuitous and arduous, some involving forced self-reflection. Hart uses these laboriously hand tied knots and line to translate a period of unsettling uncertainty into a path to move forward. Shadowy lines hover behind the actual as beacons or footprints. Ink drawings, reminiscent of ancient cave drawings, indicate the inception of thought and movement. Abstract black and white photographs of found bones allude to structure, life, and an archeological excavation for hidden meanings. There is simplicity and strength in their starkness. The exhibition also includes complex hanging sculptures with line and objects embedded into dense surfaces. In all the presented artworks, Hart examines the dichotomies of movement and stillness, contemplation and decision, and space and line, and the importance of the duality in the search.
“Line represents journey, connections, strength, simplicity, scars, tethers, and choice. Knots can be entanglements, junctures, bindings, obstacles, hurdles, gates and coupling. I learned suture knots from my plastic surgeon father. His knots would both join and conceal.”
Hart delves into the tension between the search and choice, and ultimately, personal accountability. “We are bound by the choices we make. In the end, my search and its discoveries are all up to me.”
“I am inspired by many artists, particularly the poetry and bravery of Eva Hesse, the bold structures of Lee Bontecou, and the power and personal revelations of Louise Bourgeois.”
Kathryn Hart is a multi-disciplinary artist who exhibits frequently in New York City, throughout Europe, and most recently, Los Angeles. Museum, solo and group shows include Ateneo de Madrid (Madrid, Spain), Howland Cultural Center (Beacon, NY), IDEA Space/Colorado College, Andre Zarre Gallery (NYC), the Chelsea Art Museum (NYC), ArtHaus (Denver), Galerie SD Szucha 8 (Warsaw), Galeria 33 (Poland), Zamek w Goluchowie, (Poland), Myslenice Cultural Center (Poland), the Oceanside Museum of Art (CA), Museo de Castello de Estense (Italy), The Mitchell Museum (MD), Southern Nevada Museum of Fine Arts (Las Vegas), and the Colorado History Museum.
Her artwork is in the public collections of the Ministry of Culture of France, the Ministry of Culture of Poland, the Southern Nevada Museum of Fine Arts, the Myslenice Cultural Center (Poland), and many private collections worldwide.
International awards include scholarships from the Council of Europe (2016), and the Ministries of Art and Culture of France and Poland (2015, 2014), and the United Nations Harmony for Peace Award (2010).
Hart is a member of A.I.R. Gallery in Brooklyn, NY. She holds a B.A. from Boston University, an MBA from the University of Texas at Arlington, and has extended studies in art from the School of Visual Arts in NYC and the City of London Polytechnic. Hart lives in Colorado.
Shoebox PR is proud to share the exciting work of our artists and their latest exhibitions. We are honored to work with a diverse group of contemporary artists whose work ranges through conceptual, narrative, surreal, technical, historical and scientific. You will find them poetic, heart wrenching, awe-inspiring and more. Our artists are collected; they have press histories, growing resumes and they are making things happen.
If you are planning an important and thought provoking exhibition, our artists may provide the impact you want. We are happy to arrange studio visits, interviews and articles with our growing list of emerging and mid-career artists.
Thank you so much for your continued support. We would love to hear from you.
Glenn Waggner’s latest body of work combines landscapes, architecture and figures in alternate worlds. His solo show, The Existential After Party, at Neutra Institute Gallery & Museum, opens March 31, with a reception 7–10 pm, until April 15.
Shoebox is pleased to welcome Frederika Roeder to our group. Frederika is a painter influenced by a passion for extreme sporting, as a surfer and skier. She is currently showing Naked As a Daisy exhibit at Shockboxx to March 25 and in Art in Place at Art Exchange until May 6. She will also be in StArt Up Art Fair San Francisco April 27-29.
Robert Nelson is gearing up for a busy 2018. Robert has work in “Bottle Rocket to the Future” at Lyceum Gallery presented by West Coast Drawing until April 15 and you can find Robert’s work in Art in a New Place, at Art Exchange in Long Beach until May 6. Coming up this year, Robert has two solo shows. From August 11 to September 30, Robert will be at MOAH Lancaster with new work and then, running October 20 to November 30, Robert’s Dialog with the Future series will be at LAAA/Gallery 825.
Douglas Tausik Ryder creates large scale sculptures that replicate the look and feel of traditional, crafted objects but are made with computer-aided technology. Douglas will be having a solo show of his large works at Jason Vass Gallery in October.
Steve Seleska has recently closed shows at Irvine Fine Arts Center, Shoebox Projects, Coagula Curatorial and the San Luis Obispo Museum of Arts. Steve is currently at work in his studio getting ready for future exhibitions.
Jeff Iorillohas work in Black at The Loft at Liz’s until March 26. In April Jeff will be part of “Scranch”, a group happening in Twentynine Palms. Then, opening May 3, he will be in a three-person show at LA Artcore Brewery Annex.
Hosted by Claremont Graduate University
Juried by Howard N. Fox
Opening reception: Sunday, March 25, 2-6 pm
Exhibit on view from March 24 – June 2, 2018
Millard Sheets Art Center (at the Fairplex)
1101 W. McKinley Avenue, Pomona, CA 91768
Gallery Hours: Saturday and Sunday, 10–5pm
By appointment only Monday through Friday.
To make an appointment, contact Thomas Canavan at firstname.lastname@example.org
or email the SoCalMFA team at email@example.com
SoCalMFA reflects an increasingly diversified portrait of emerging artists in L.A.
This year’s SoCalMFA organizers, in conjunction with the Millard Sheets Art Center and Claremont Graduate University, are pleased to announce the third and largest annual Southern California MFA exhibition in Millard Sheets’ newly-renovated facility. Juried by Howard N. Fox, the exhibit captures 42 artists representing 17 Southern California MFA programs, using media that includes painting, fabric, sculpture, video, photography, installation, drawing, mixed-media, and more. Taken together, this exhibit is a barometer of the diverse critical and aesthetic concerns that will shape artistic production in Southern California for years to come. The exhibition also reflects Claremont’s Graduate University’s leadership as a center for artistic and cultural production in Southern California at the graduate level.
This year’s SoCal MFA organizing team is made up of former and current Claremont Graduate University students Madeline Arnault, Chelsea Boxwell, and Megan Kinney. The exhibition is the largest MFA exhibition in both number of works exhibited and number of schools represented. The 2018 exhibition includes 17 out of 18 eligible MFA programs in Southern California.
Since 2016, the SoCalMFA exhibit has called upon a guest juror to select works and curate, beginning with Steve Comba (2016) and Amanda Ross-Ho (2017). This year the juror will be Howard N. Fox, an independent curator and former Curator of Contemporary Art at the Los Angeles County Museum of Art (LACMA).
We invite the public to explore this exhibition’s complex perspectives and overlapping themes and invite you to attend the exhibit’s opening reception on Sunday, March 25, from 2-6 p.m.
Accompanying the exhibition will be a public panel led by CGU Professor of Art Theory and History and LA Times art critic David Pagel. The panel will be free and open to the public and will address the culture of the MFA program. Selected artists from the exhibition will join Pagel in this discussion with a Q&A session from the audience. Dates and times will be posted on the Fairplex website and SoCalMFA’s Facebook Page. Please stay tuned for more information.
Participating artists: Madeline Arnault (Claremont Graduate University), Diego Barrientos (Cal Arts), Aurora Berger (Claremont Graduate University), Deitra Charles (Claremont Graduate University), Patricia Chow (Claremont Graduate University), Ji Soo Chung (UCLA), Carey Coleman (UCLA), Remi Dalton (Cal State San Diego), Yubo Dong (UC Irvine), Stevan Dupas (Cal State Long Beach), Jenny Eisenpresser (Art Center College of Design), Samantha Fitzmorris (Claremont Graduate University), Leslie Frank (Claremont Graduate University), Joshua Freeman (Azusa Pacific University), Molly Gabbard (Cal State San Diego), Eleanor Greer (Cal State San Diego), Timothy Haerens (Cal State San Bernardino), Harrison Halaska (Laguna College of Art and Design), Allison Holland (Cal State Fullerton), Lucy Holtsnider (UC Santa Barbara), Anna Laleggio (UC Irvine), Chloe Jeongmyo Kim (Otis College of Art and Design), Aleya Lanteigne (Cal State Sand Diego), Jian Liang (Claremont Graduate University), Jane Margarette (UCLA), Michelle Nunes (Cal State Northridge), Shane McClatchey (Laguna College of Art and Design), Moses Muturi (Cal State San Diego), Aydinaneth Ortiz (Cal Arts), Joshua Rains (Univeristy of Southern California), Rebecca Rich (Claremont Graduate University), Celia Rocha (Otis College of Art and Design), Heather Roessler (Cal State San Bernardino), Cintia Segovia (Cal State Long Beach), Kamaria Shepherd (UCLA), Nicole Waszak (Cal State San Diego), Charisse Weston (UC Irvine), Amy Williams (Cal State Long Beach), Ji Hyun Won (University of California Riverside), Jonathan Yacoub (Claremont Graduate University), Zebulon Zang (UC San Diego), and Benjamin Zhao (Claremont Graduate University).
Claremont Graduate University
Millard Sheet Arts Center
About Howard N. Fox
From 1985 through 2008, Fox has organized numerous major exhibitions and authored their catalogues. Some of his exhibits include Avant-Garde in the Eighties (1987), A Primal Spirit: Ten Contemporary Japanese Sculptors (1990), Lari Pittman (1996), and Eleanor Antin (1999). Fox recently returned to LACMA as guest curator for the critically acclaimed survey exhibition Playing with Fire: Paintings by Carlos Almaraz.
About David Pagel
In addition to his position at CGU, Pagel is an adjunct curator at the Parrish Art Museum in Water Mill, New York. He also writes regularly for the Los Angeles Times. Since 1988, he has published reviews, features, and essays in Artforum, Art in America, Flash Art, frieze, and Art Issues, where he was reviews editor from 1998 to 2001.
About CGU Art and the School of Arts & Humanities
The School of Arts & Humanities is home to a unique approach to graduate education, offering students the opportunity to study in and across disciplines as they “follow the problem.” Its research and teaching transcend academic boundaries and disregard the artificial divides between theory and application. Intimate seminar-style classes mean students build close working relationships with faculty-mentors, who in turn will help them thrive academically and launch meaningful careers.
About Fairplex and the Millard Sheets Art Center
Through its exhibitions, educational programs, events and workshops, the Millard Sheets Art Center provides the community with meaningful experiences within the world of visual arts. As part of The Learning Centers at Fairplex, the center engages the community at multiple levels of education and its exhibitions promote the rich and diverse cultures that lie within Los Angeles County and Southern California. Fairplex is an educational and entertainment complex that is home to the L.A. County Fair and 500 year-round events.
Diane Williams | INcongruence A solo show exhibition at Gallery 825
825 North La Cienega Blvd. Los Angeles, CA 90069
March 17 – April 20, 2018
Opening reception: March 17, 6pm-9pm
Gallery 825 in Los Angeles, California is pleased to present INcongruence, a solo show exhibition by Diane Williams.
Diane Williams is a Los Angeles based artist whose work includes several disciplines to approach the subject of xenophobia and gender bias. In her work, Williams seeks to find a common ground between the art she makes and the community at large. The project aims to reflect the immigrant communities as well as the whole nation, illustrating the idea of an extended community while challenging assumptions and norms.
INcongruence involves a participatory art piece and an installation that will confront viewers, turning them into active participants. The installation consists of 8 large modules made out of wire, recycled and manipulated fiber such as: yarn, thread, fabric, and shredded paintings, interwoven together and creating an immersive structure that fills Gallery 825’s largest front space. These materials have personal history, discarded or purchased from the artist’s neighborhood Thrift Shop in Glassell Park and the Fabric District in Downtown Los Angeles called Santee Alley, frequented by many lower and middle income immigrant families. Williams intertwined these elements into modular weavings, reminiscent of protest signs and roadside memorials that will operate as obstructions, confinement and disruptions. The polychromatic modules are an amalgamation of diverse textures and components. A reminder that America is clearly divided as a nation but we have more in common than we are often led to believe. Diversity is what makes this country great.
About Diane Williams
Diane Williams is a multidisciplinary artist living and working in Los Angeles, CA. She earned her BFA degree from California State University, Long Beach in 2013. Her work has been featured in select publications and exhibited in solo shows including Beautiful Creatures at Cerritos College Gallery (2018) and several group exhibitions: With Liberty and Justice for Some at Walter Maciel, Culver City, Personal Narrative at the Annenberg Beach House Gallery, Santa Monica (2017), WE: Visual Reflections of the American Experiment, Azusa Pacific University, Azusa. Williams has works in both private and public collections: National Immigration Law Center, Los Angeles and Washington DC headquarters (2016) and Azusa Pacific University (2017). She’s currently working on a solo show in March of 2018 at Gallery 825 in Los Angeles and a residency at Museum of Art and History – MOAH, Lancaster, CA scheduled for late 2019. http://www.dianewilliamsartist.com
About Gallery 825
Gallery 825 is the exhibition arm of the Los Angeles Art Association. Purchased in 1958, the gallery, which is located in the heart of Los Angeles at 825 North La Cienega Boulevard, provides LAAA artists with a professional venue in which to show their work.
This week, we bring you the work of Susan Amorde. Susan uses vintage suitcases and luggage carriers as metaphors of the metaphysical baggage we all carry with us. Susan’s work will be in Feminism Now at Shoebox Projects, February 25 to March 11 and in Points of View at Muzeumm opening March 3. Susan was recently profiled in the print edition of the San Luis Obispo Tribune.
Installation photos by SDK Photo & Design
Installation photos by SDK Photo & Design
My recent mixed media works explore the notion of baggage— in all its emotional and physical manifestations.I use vintage suitcases I find at markets, thrift stores, and garage sales assembling them in myriad ways.When I happen upon a suitable suitcase, I know it instantly— as something about its character and my imagining of its history immediately resonates. I choose these specific vintage items for their personalities and for the narrative potential I can weave into my art. My sculptures are imbued with a sense of nostalgia; however, I am simultaneously exploring the more psychological and emotional connotations of baggage.
I am meticulous about my materials and carefully consider all aspects of the elements that comprise my artworks. Nothing is arbitrary or left to chance. Materials are chosen for their visual, historical and conceptual significance. My suitcase pieces range in size; some are shown as individual works while others are combined to become large-scale sculptures and installations. I address themes that range from the intimate to the universal.
In many of my works, I comment on psychological and social issues while simultaneously asking the viewer to imagine not only the contents of the valises but also their prior histories and the various travels of their diverse but absent owners. I believe these pieces to be about collective experiences.
In some of my smaller pieces I insert antique brass portholes into the sides of the suitcases. The portholes function as windows into private, womb-like worlds that are filled with small objects and carefully lit from within. The vignettes I create in these water filled spaces evoke a sense of discovery as if the viewer has happened upon a sunken treasure— in the form of small keepsakes— that reference the passage of time as well as the notion of being hooked or captured. In these pieces, I hope to evoke the sense of looking into the souls of the past and present. The pieces are also about the transformation of personal narratives into something universal.
In all my works, both past and present, I am interested in metaphorically representing human emotions, universal themes and the baggage people carry— both literally and spiritually—using carefully chosen vintage objects that I transform and juxtapose in various ways to comment on the hardship and joys of life’s journey.
Susan Amorde, “Purple Haze”
Susan Amorde, “Purple Haze” detail
Susan Amorde, inner workings of water baggage sculptures
Susan Amorde, Wounded Baggage II
Susan Amorde, Wounded Baggage I
Susan Amorde, Wounded Baggage I detail
Block and Tackle Installation photos by SDK Photo & Design
Members of the San Diego Feminist Image Group, Shoebox Projects and the Swedish Group Krogen Amerika present artworks that explore multiple visions of what feminism is today, in the context of Southern California and Northern Europe. Artists address the complexity of gender equality through themes such as sexism, body image, class, race, politics, spirituality, domesticity, biology, and history.
This exhibition will travel to Stockholm, Sweden in May 2018.
The public is invited to attend the opening reception on Sunday, February 25, from 3-6pm at Shoebox Projects in the Brewery Arts Complex, Los Angeles. Artists will be present to engage the public.
The Feminist Image Group was formed in 2009. FIG is a coalition of San Diego visual artists who meet to discuss art, see exhibitions, and support one another in our careers. We work across many media, including drawing, painting, photography, sculpture, installation, digital media and performance. The group has had exhibitions at San Diego Mesa College, Art Produce Gallery, Hyde Gallery at Grossmont College, Art San Diego Artfair, and has an upcoming exhibition at the Women’s Museum of California.
“Krogen Amerika” is the name of a Swedish printmaking group in the region of Östergötland in Sweden. The group works out of a a red wooden house from 1704 in the very center of the Swedish city of Linköping. During the years, it has functioned as a private home, a local pub, and a meeting place for emigrants to America (hence the name of the house, “Krogen Amerika”). Now it is a fully functional printmaking studio and art gallery. This artist-run gallery and studio space is partly funded by the city of Linköping. About 20 artists work here, and also together manage the space, with the support from the local community. The gallery exhibits artists from all over Sweden. Krogen America has exhibited as a group at Norrköpings Museum, Östergötlands Museum, Grafiska Sällskapet, the Palo Alto City Hall, Odense Konsthall Danmark, Berlin Kunstfactor.
Agneta Östlund, Amy Paul, Ann Olsen, Anna Stump, Anna Zappoli, Anne De Geer, Åsa Kvissberg, Berit Hammarbäck, Bhavna Mehta, Bibi Davidson, Caroline Färnström, Catherine Ruane, Cathy Immordino, Cecilia Uhlin, Chenhung Chen, Christina Ruthger,, Cindy Zimmerman, Dani Dodge, Daphne Hill, Diane Williams, Dwora Fried, Emily Blythe Jones, Emily Wiseman, Erika Lizée, Ginger Rosser, Grace Gray-Adams, Hannah Johansen, Hasti Radpoor, Helen Redman, Irene Abraham, Isabelle Nilsson, Jane Szabo, Janice Grinsell, Jeanne Dunn, Jennifer Bennett, Jenny Treece Jorup, JJ L’Heureux, Judy Christensen, Kathi McCord, Kathleen Mitchell, Kathy Miller, Kathy Nida, Kim Niehans, Kit Aaboe, Kristine Schomaker, Lauren Carrera, Lena Möller, Lena Wiklund, Linda Litteral, Linda Rae Coughlin, Lisa Hutton, Marina Holmberg, Moya Devine, Nilly Gill, Nurit Avesar, Petrina Cooper, Pia Göransson-Lie, Prudence Horne, Randi Leirnes, Randi Matushevitz, Samantha Fields, Samuelle Richardson, Sheli Silverio, Stacie Birky-Greene, Stephanie Bedwell, Susan Amorde, Susan Osborn, Susan T. Kurland, Terri Hughes-Oelrich, Terrilynn Quick, Yasmine Diaz