JJ LHeureux
Nude Male Maids
Venice, California

Feminism Now

Visual Art Exhibition by the Feminist Image Group, Shoebox Projects and Krogen Amerika

Shoebox Projects, Los Angeles
1660 South Avenue 21 #3
Los Angeles, California, CA 90031
http://www.shoeboxprojects.com
https://www.facebook.com/shoeboxprojects/

 

The exhibition will run Feb 24 – March 11, 2018
Opening Reception: opening Sunday Feb 25, 3-6pm
Gallery hours by appointment
All events free and open to the public.

http://fig-art.blogspot.com/

Members of the San Diego Feminist Image Group, Shoebox Projects and the Swedish Group Krogen Amerika present artworks that explore multiple visions of what feminism is today, in the context of Southern California and Northern Europe. Artists address the complexity of gender equality through themes such as sexism, body image, class, race, politics, spirituality, domesticity, biology, and history.

This exhibition will travel to Stockholm, Sweden in May 2018.

The public is invited to attend the opening reception on Sunday, February 25, from 3-6pm at Shoebox Projects in the Brewery Arts Complex, Los Angeles. Artists will be present to engage the public.

The Feminist Image Group was formed in 2009. FIG is a coalition of San Diego visual artists who meet to discuss art, see exhibitions, and support one another in our careers. We work across many media, including drawing, painting, photography, sculpture, installation, digital media and performance. The group has had exhibitions at San Diego Mesa College, Art Produce Gallery, Hyde Gallery at Grossmont College, Art San Diego Artfair, and has an upcoming exhibition at the Women’s Museum of California.
“Krogen Amerika” is the name of a Swedish printmaking group in the region of Östergötland in Sweden. The group works out of a a red wooden house from 1704 in the very center of the Swedish city of Linköping. During the years, it has functioned as a private home, a local pub, and a meeting place for emigrants to America (hence the name of the house, “Krogen Amerika”). Now it is a fully functional printmaking studio and art gallery. This artist-run gallery and studio space is partly funded by the city of Linköping. About 20 artists work here, and also together manage the space, with the support from the local community. The gallery exhibits artists from all over Sweden. Krogen America has exhibited as a group at Norrköpings Museum, Östergötlands Museum, Grafiska Sällskapet, the Palo Alto City Hall, Odense Konsthall Danmark, Berlin Kunstfactor.

Participating Artists:

Agneta Östlund, Amy Paul, Ann Olsen, Anna Stump, Anna Zappoli, Anne De Geer, Åsa Kvissberg, Berit Hammarbäck, Bhavna Mehta, Bibi Davidson, Caroline Färnström, Catherine Ruane, Cathy Immordino, Cecilia Uhlin, Chenhung Chen, Christina Ruthger,, Cindy Zimmerman, Dani Dodge, Daphne Hill, Diane Williams, Dwora Fried, Emily Blythe Jones, Emily Wiseman, Erika Lizée, Ginger Rosser, Grace Gray-Adams, Hannah Johansen, Hasti Radpoor, Helen Redman, Irene Abraham, Isabelle Nilsson, Jane Szabo, Janice Grinsell, Jeanne Dunn, Jennifer Bennett, Jenny Treece Jorup, JJ L’Heureux, Judy Christensen, Kathi McCord, Kathleen Mitchell, Kathy Miller, Kathy Nida, Kim Niehans, Kit Aaboe, Kristine Schomaker, Lauren Carrera, Lena Möller, Lena Wiklund, Linda Litteral, Linda Rae Coughlin, Lisa Hutton, Marina Holmberg, Moya Devine, Nilly Gill, Nurit Avesar, Petrina Cooper, Pia Göransson-Lie, Prudence Horne, Randi Leirnes, Randi Matushevitz, Samantha Fields, Samuelle Richardson, Sheli Silverio, Stacie Birky-Greene, Stephanie Bedwell, Susan Amorde, Susan Osborn, Susan T. Kurland, Terri Hughes-Oelrich, Terrilynn Quick, Yasmine Diaz

 

 

Cynthia Minet
Migrations

International Museum of Art and Science (IMAS)
1900 W Nolana Ave McAllen, Texas 78504
http://theimasonline.org
http://cynthiaminet.com/

April 14th to September 2nd, 2018
Public reception April 14th 3-5pm

Open Studio at the Brewery
660 South Avenue 21 #10 LA Ca 90031
Sunday March 4th 2-5pm

Facebook event

 

(McAllen, Texas) – Los Angeles artist Cynthia Minet is pleased to present Migrations, a one-person exhibition at The International Museum of Art and Science (IMAS) in McAllen, Texas, from April 14th to September 2nd, 2018.

Migrations takes borderland regions of the Rio Grande Valley as its point of departure and specifically uses the Roseate Spoonbill, a large bird native to the Southeast coastal region as an artistic surrogate for human experiences. Minet is well known for the creation of large-scale sculptures of animals constructed from repurposed plastics—detergent bottles, water containers, found toys, etc. that are then illuminated from within by glowing LED lights. She creates magnificent aesthetic objects that metaphorically call attention to our dependency on electricity and petrochemicals. Her conceptually and politically astute artworks draw the audience in, and then prompt them to thoughtfully consider and question contemporary society and lifestyle.

In Migrations, Minet will exhibit five suspended sculptures and one floor piece in addition to select wall-mounted drawings. Like most of her installations, this work is site-responsive, and uses recycled plastic debris from Los Angeles in addition to found materials gathered from the borderlands region of the Rio Grande Valley. The center piece of the installation is a graceful representation of the Roseate Spoonbill in various stages of flight. These sculptural birds are accompanied by light sequencing and motion activated sound that consists of wing beats, running water, bird calls and footsteps through grass that create a sense of mystery and movement in the darkened space. In addition, embedded into these sculptures are artifacts dropped by migrants who have crossed the border fence or the Rio Grande River into Texas. Minet’s visually accessible, meaningful and richly layered works call attention to the fact that plastic will erode but never disappear, that habitats and species will be lost to climate change and pollution and never return, and that people will risk everything to escape intolerable situations only to be denied entry into a new land.

Cynthia Minet’s artworks have been exhibited both in the USA and internationally. Her recent solo exhibitions include: Avian, Vita Art Center at the Bell Arts Factory, Ventura (2016); Beast of Burden, USC Fisher Museum of Art, University of Southern California (2015); Packing Caravan, the Los Angeles International Airport, (2013), Unsustainable Creatures, UC Riverside’s Culver Center for the Arts (2012), as well as installations at the Anchorage Museum, AK (2014), the Huntington Beach Art Center, the Los Angeles Museum of Natural History, and at GATE Projects, Glendale. International group exhibitions include museum and gallery shows since 2000. Minet is professor of studio art at Moorpark College, Moorpark, CA.

Monica Wyatt
Continuum

Solo exhibition

Opening reception: January 20, 2018 6-8pm
On view: January 20 to March 3, 2018

MOAH: Cedar
44857 Cedar Ave
Lancaster, CA 93534

lancastermoah.org
monicawyatt.com

(Lancaster, California) – The Museum of Art and History in Lancaster, California, is pleased to present Continuum, a solo exhibition by Los Angeles based artist Monica Wyatt.

The curator of the exhibition, jill moniz, writes in an essay, “Monica Wyatt is an artistic alchemist, collecting materials and turning them into precious objects. In this process, Wyatt fuses the history of the materials together to create new beginnings, representing the cyclic nature of all things. This exhibition is a metanarrative of this practice, where Wyatt continues to reimagine objects and compositions that speak forcefully about her inspirations, interventions and intentions.

Wyatt is passionate in her hunt for materials, honoring the histories of these elements whilst stripping them bare so that her reworking feels organic and never forced. She dissembles organs, pianos, cables, sieves and other utilitarian items from a past when people valued human production and craftsmanship. Her objects honor that past and create a new language on an aesthetic continuum that conveys the resonance of an alchemy that we all possess, and reminds the viewer that identity and community are made from diverse elements brought together in harmony.

In another layer of synergy, Wyatt is interested in transforming inorganic materials into shapes that signify nature. Her assemblage is filled with both organic and manmade materials and she challenges the viewer to consider the aesthetic qualities of each as they contribute to her compositions. She makes electric capacitors look like plant life and zip ties mimic deep sea life in order to further a dialog about preservation of all the things we should hold dear.”

MOAH Cedar presents Continuum, Wyatt’s first installation at the museum and the ongoing collaboration with curator jill moniz. Wyatt’s assemblage has evolved from the early influence of Joseph Cornell to a more outside of the box approach. She credits Betye Saar, Claire Falkenstein, Ruth Asawa, Louise Bourgeois, Eva Hesse and Lee Bontecou with giving her the courage and impetus to pursue engaging themes and compositions that reflect her love for materials, and the new life and meaning she gives them.

Scott Froschauer’s “Word on the Street” public art project featured on ABC7 news

 

Scott Froschauer
Word on The Street

 

On ABC7 News

In the LA TImes

scottfroschauer.com
shoeboxpr.com

For more info and a map to the signs

By utilizing the materials and visual language of street signs, Los Angeles-based artist Scott Froschauer is able to harness the power of authority while playing with viewers understanding and perception of public space and the role of art in it. By replacing the traditional controlling language on public street signs with positive life-affirming statements, The Word on The Street seeks to provide something that is missing from our hum-drum daily visual diet.

Scattered throughout and sponsored by the city of Glendale, California, Froschauer has placed 20 different custom street signs all over, hoping to engage and inspire city visitors and residents to see the world just a little bit brighter. The signs range in message and tone, but maintain the standard directional sign styles and shapes. Touching on positivity, curiosity and absurdity, Froschauer’s signs are evocative, supportive and whimsical, inspiring a smirk or smile to all those who view them.

Juxtaposing the expectations of passersby, Froschauer is particularly fascinated with the role of the public space—hoping to combat the common thought that public space is meant to host signage and messaging to control and conform people in order to keep things copasetic and peaceful among the masses. Froschauer has utilized this expectation in order to produce a positive and shocking response from his viewers. Applying the power of street art to the concept of public signage, he has found an untapped area of captivation in contemporary art where the street art is not a visually rebellious statement, illegally operating and going against the system. Instead, Froschauer employs a contextual rebellion from the mundane messaging but still utilizes the government-approved signage style in order to gain proper attention from viewers as well as utilize the positive shock value of his opposing messages.

These signs are so similar to the traditional street signs that many people pass right by them without even realizing the signs say something different than they expected. This aha moment is a mandatory aspect of Froschauer’s work, demanding the viewers’ participation to complete this experiential artwork.

Aiming to give viewers a positive yet momentary emotional lift, Froschauer hopes that people who see his signs start to expect extraordinary things in ordinary places more often, evoking greater imagination and positivity by the masses. His messaging in The Words on The Street are simple yet thought provoking, with self-love and compassion at the core of his sign statements. With just 20 new additions to the city’s public space, Glendale now offers all visitors and residents a boost of positive energy and personal empowerment.

In the LA TImes

About the artist:
Scott Froschauer is a experimental artist and art fabricator in Los Angeles. His background consists of a structured education in Engineering, Photography, Computer Programming and Business. He earned a B.A. in Theoretical Linguistics from Syracuse University and has broad practical experience in Fabrication, Design, Non-ordinary Reality, Experiential Narrative, Venture Capital, Counterfeiting and Breathing. His background in the motion picture industry as a Key Grip has given him the skills to rapidly deploy large engineering projects for television shows, feature films, commercials and music videos. His fine artwork covers a broad range of subjects and materials from ephemeral street art and experiential narrative events to gunpowder illustration and alternative technique photography to practical sculpture and many large scale pieces for the Burning Man Festival, including the fabrication of The Church Trap, a large scale sculpture which was featured in numerous publications. Scott also fabricated RuckusRoots’ 2015 Wild Art sculpture, for the LA Zoo.

Huddle – A Postcard Show at Shoebox Projects. Photo Credit. Kristine Schomaker

**UPDATE** I am so excited to announce, we raised $1400 to be split between the ACLU, Planned Parenthood and the Trevor Project!!

HUDDLE

The #equalityforall #resist postcard art show

Hosted by Shoebox Projects and Art and Cake

Curated by Kristine Schomaker
Sponsored by Shoebox PR

From womensmarch.com…

“First, we marched. Now we Huddle. We will gather together in our neighborhoods all over the world to define our next steps, and envision how to transform the energy we saw at Women’s Marches into local and national action.

Huddle (n.) – a small group of people holding an informal conversation”

I was part of a recent huddle in Los Angeles. It was an amazing experience to feel like we aren’t alone in our thinking about the current political climate. We talked about what is going on in our country and what we could do to make a difference.

This is one of my next steps. I am curating a postcard art show at Shoebox Projects in September 2017.

Sales: All work is donated to the show and sold for $25 each. 100% of proceeds will be donated equally to the ACLU, Planned Parenthood and the Trevor Project. Payable by Check, Cash or Credit Card (additional fees may apply) at the reception.

Thank you for sharing your voices!!

Follow Art and Cake, Shoebox Projects and Shoebox PR to keep up with the latest information on our HUDDLE.

Erika Lizée

Eternally Searching (0,1,1,2,3,5,8,13…)

 

Los Angeles Art Association/Gallery 825
825 N La Cienega Blvd
Los Angeles Ca 90069

On view October 21, 2017 to December 1, 2017
Opening Reception October 21 6-9pm

http://www.erikalizee.com
http://www.laaa.org

Neither representative nor completely abstract, artist Erika Lizée constructs site-specific installations with painted biomorphic forms that evoke a sense of wonder and a greater connection to the universe. Aimed at altering perceptions and expanding the collective consciousness, Lizée creates visually mystifying paradigms as she finds new ways to entice and express the powerful relationships between all living beings and the universe they inhabit.

Finding inspiration in the eternal search for understanding life as we know it, as well as the artistic space of the gallery itself, Lizée utilizes the white cube walls as symbolic thresholds between life and death and what is known and unknown in this world. Beyond the wall’s superficiality, more complex biomorphic forms combine within the natural boundaries of sacred geometry and the golden ratio, while other forms expand and emerge into the physical realm of the viewer.

Using the techniques of trompe l’oeil and sculptural painting, Lizée works in conjunction with actual light and perception—as if physical materials—to spark a sense of wonder in the viewer. Lizée’s artistic whimsy and soulful provocation create a transformative experience as viewers’ perceptions shift into greater understanding of the relationship between artistic materials and exhibition space. Creating a purposeful epiphany guides viewers into an enlightened state of being as they explore all of the complex details in the installations and discover new truths around every corner.

Finding fuel in scientific theory, mathematical truths and sequences, and the core similarities in all-natural creations, Lizée creates work that reflects her personal thirst for knowledge and understanding, while inspiring and engaging viewers into asking more questions and sparking more curiosities. Her work is not observational but participatory and stimulating.

Like a mysterious, alluring phantasm or the inner workings of a biomechanical beast, Lizee’s illusory paintings will transform the exhibition space at Gallery 825, leaping off the walls and infiltrating the minds and imaginations of visitors during her solo exhibition. The Dura-Lar paintings will push and pull with viewers’ perception of art and art space, of real and unreal, and of representation and abstraction. Speaking to the deep-rooted questions we all face with regards to the existence of the universe and our role, as humans, in it.

About the artist:
Erika Lizée received her MFA in Painting from CSU Northridge in 2007. In 2008, she was hired as full-time faculty at Moorpark College where she is currently an Associate Professor of Art, as well as the Director of the Moorpark College Art Gallery. Lizée is an artist that creates site-specific installations, as well as paintings and drawings. Most recently, Lizée built installations within the International Terminal at the Los Angeles International Airport (LAX) and ArtShare LA. In September 2017, she participated in a group exhibit at Launch LA. Lizée’s work has been featured in Juxtapoz, Beautiful/Decay, Hi Fructose, The Huffington Post and Beautiful Bizarre Magazine. She currently resides in West Hills, California with her husband and two young children.

Bibi Davidson and Dwora Fried

Two Women, One Reality

Shoebox Projects Residency
September 25 – November 5, 2017
660 South Avenue 21 #3 Los Angeles, CA 90031

On view during the Brewery Artwalk October 21st and 22nd 11-6pm

For their residency and exhibition at Shoebox Projects, Bibi Davidson and Dwora Fried will collaborate on an installation entitled Two Women, One Reality. Though both artists grew up in the fifties in different parts of the world — one in Israel, the other in Austria — they both vividly remember being left alone as toddlers, watching their parents get ready for a night on the town feeling imprisoned in their cribs, crying; terrified by noises, shadows and ghosts and are using these memories as the point of departure for their collaboration. Through ongoing discussions of these personal experiences Davidson and Fried will translate their memories into an installation. They envision the exhibition as a “fifties room” with a crib, ugly wallpaper and a video filmed by Dwora’s daughter Anjoum Agrama, that evokes a visit to the darker places in their collective psyche—a kind of self portrait of the early days of the artist’s lives and surroundings, that evokes the idea that evil—real or imagined— is lurking around the corner.

Shoebox Projects is a self-directed residency program founded in 2016 by Kristine Schomaker where artists are given space and time to conceptualize and create new works. During a residency, artists have the time and freedom to try out new ideas, open their space to viewers for feedback or embark on collaborations as Davidson and Fried are doing with Two Women, One Reality. Though these artist’s individual practices are quite different— Bibi Davidson is a painter whereas Dwora Fried makes mixed media sculptures and installations, there are overlaps in their subject matter and approaches which makes this and ideal opportunity for collaboration.

 

 

Bibi Davidson is an Israeli born, Los Angeles based artist whose illustrative-style works are allegorical representations of the chaotic and unsettling realities of her childhood. Her boldly colored narrative paintings are autobiographical and social commentary while simultaneously layered with elements of humor. They are captivating and purposefully quirky works that investigate personal and universal conflicts, as well as the chaos that defines our times. Through the process of painting, Davidson charms and calms her inner self.

Davidson’s most recent solo exhibition was The Girl in the Red Dress at Gallery 825, Los Angeles (2016). Her work has been featured in numerous group exhibitions throughout Southern California including: Laluzapalooza, La Luz de Jesus Gallery, With Liberty and Justice for Some, Walter Maciel Gallery, Love and Hate, Avenue 50 Studio (2017); A Feminist Perspective, MuzeuMM, Mas Attack, Torrance Art Museum (2016); Day Dreamers, BG Gallery, Sacred Memories, Pico House Gallery, Bunnymania, Chungking Studios and Wilding Cran Gallery (2015). For more information visit: http://www.bibidavidson.com

Dwora Fried is a mixed media assemblage artist who creates both small tableaux in glass fronted wooden boxes and life-sized enterable installations. She grew up in post-war Vienna, where as a Jewish lesbian and child of Holocaust survivors she felt like an outsider and has parlayed these experiences into artworks that explore themes of danger, loss and secrecy. Recent works also comment on the current political climate and the immigrant experience in Los Angeles.

Fried’s most recent solo exhibit was BIG BOX/little box at Gallery 825, Los Angeles (2016). In addition, she had solo exhibits at the Jewish Museum in Venice, Italy (2014), Benedict Gallery in Vienna, Austria (2013), Woolfson &Tay in London, GB (2011). She has been exhibiting in group shows at Elmhurst Art Museum in Chicago (2017), OCCA (2017), Walter Maciel Gallery (2017), Art Share LA (2016), SPARC (2015). Fried also has work in the permanent collection at Vienna’s MUSA museum. For more information visit: http://dworafried.com