Los Angeles based Jeff Iorilloworks with a variety of media to create sculptural pieces that resonate in the subconscious of the viewer. Jeff has recently been in Black at The Loft at Liz’s. In April, he will be part of “Scranch”, a group happening in Twentynine Palms. Then, opening May 3, he will be in a three-person show at LA Artcore Brewery Annex.
I’m a Los Angeles-based painter, sculptor and filmmaker working in acrylic, enamel and mixed media on canvas, masonite, and metal, as well as clay, plaster, sheet steel, and video.
I am essentially a process artist, inspired by the investigation of materials and methods. This ongoing process exploration leads to distinct bodies of work, whose consistent throughline is a bold abstract approach pushing mass and momentum, color and gesture. I’m interested in seizing the attention with an immediate impact, then holding it with a dynamic technique and details that encourage speculation.
I’m looking to create images and objects with a presence that feels substantial, inhabited. I’m less interested in communicating my own story than I am in providing a moment of contemplation that invites the viewer to create their own. I’m going for work that has a tone, a feeling specific to itself.
The work lives at the boundary between control and chaos: a specific, usually invented, technique pushed to its breaking point to achieve a spontaneity and unrestrained quality beyond my original intention.
Shoebox PR is proud to share the exciting work of our artists and their latest exhibitions. We are honored to work with a diverse group of contemporary artists whose work ranges through conceptual, narrative, surreal, technical, historical and scientific. You will find them poetic, heart wrenching, awe-inspiring and more. Our artists are collected; they have press histories, growing resumes and they are making things happen.
If you are planning an important and thought provoking exhibition, our artists may provide the impact you want. We are happy to arrange studio visits, interviews and articles with our growing list of emerging and mid-career artists.
Thank you so much for your continued support. We would love to hear from you.
Glenn Waggner’s latest body of work combines landscapes, architecture and figures in alternate worlds. His solo show, The Existential After Party, at Neutra Institute Gallery & Museum, opens March 31, with a reception 7–10 pm, until April 15.
Shoebox is pleased to welcome Frederika Roeder to our group. Frederika is a painter influenced by a passion for extreme sporting, as a surfer and skier. She is currently showing Naked As a Daisy exhibit at Shockboxx to March 25 and in Art in Place at Art Exchange until May 6. She will also be in StArt Up Art Fair San Francisco April 27-29.
Robert Nelson is gearing up for a busy 2018. Robert has work in “Bottle Rocket to the Future” at Lyceum Gallery presented by West Coast Drawing until April 15 and you can find Robert’s work in Art in a New Place, at Art Exchange in Long Beach until May 6. Coming up this year, Robert has two solo shows. From August 11 to September 30, Robert will be at MOAH Lancaster with new work and then, running October 20 to November 30, Robert’s Dialog with the Future series will be at LAAA/Gallery 825.
Douglas Tausik Ryder creates large scale sculptures that replicate the look and feel of traditional, crafted objects but are made with computer-aided technology. Douglas will be having a solo show of his large works at Jason Vass Gallery in October.
Steve Seleska has recently closed shows at Irvine Fine Arts Center, Shoebox Projects, Coagula Curatorial and the San Luis Obispo Museum of Arts. Steve is currently at work in his studio getting ready for future exhibitions.
Jeff Iorillohas work in Black at The Loft at Liz’s until March 26. In April Jeff will be part of “Scranch”, a group happening in Twentynine Palms. Then, opening May 3, he will be in a three-person show at LA Artcore Brewery Annex.
Hosted by Claremont Graduate University
Juried by Howard N. Fox
Opening reception: Sunday, March 25, 2-6 pm
Exhibit on view from March 24 – June 2, 2018
Millard Sheets Art Center (at the Fairplex)
1101 W. McKinley Avenue, Pomona, CA 91768
Gallery Hours: Saturday and Sunday, 10–5pm
By appointment only Monday through Friday.
To make an appointment, contact Thomas Canavan at firstname.lastname@example.org
or email the SoCalMFA team at email@example.com
SoCalMFA reflects an increasingly diversified portrait of emerging artists in L.A.
This year’s SoCalMFA organizers, in conjunction with the Millard Sheets Art Center and Claremont Graduate University, are pleased to announce the third and largest annual Southern California MFA exhibition in Millard Sheets’ newly-renovated facility. Juried by Howard N. Fox, the exhibit captures 42 artists representing 17 Southern California MFA programs, using media that includes painting, fabric, sculpture, video, photography, installation, drawing, mixed-media, and more. Taken together, this exhibit is a barometer of the diverse critical and aesthetic concerns that will shape artistic production in Southern California for years to come. The exhibition also reflects Claremont’s Graduate University’s leadership as a center for artistic and cultural production in Southern California at the graduate level.
This year’s SoCal MFA organizing team is made up of former and current Claremont Graduate University students Madeline Arnault, Chelsea Boxwell, and Megan Kinney. The exhibition is the largest MFA exhibition in both number of works exhibited and number of schools represented. The 2018 exhibition includes 17 out of 18 eligible MFA programs in Southern California.
Since 2016, the SoCalMFA exhibit has called upon a guest juror to select works and curate, beginning with Steve Comba (2016) and Amanda Ross-Ho (2017). This year the juror will be Howard N. Fox, an independent curator and former Curator of Contemporary Art at the Los Angeles County Museum of Art (LACMA).
We invite the public to explore this exhibition’s complex perspectives and overlapping themes and invite you to attend the exhibit’s opening reception on Sunday, March 25, from 2-6 p.m.
Accompanying the exhibition will be a public panel led by CGU Professor of Art Theory and History and LA Times art critic David Pagel. The panel will be free and open to the public and will address the culture of the MFA program. Selected artists from the exhibition will join Pagel in this discussion with a Q&A session from the audience. Dates and times will be posted on the Fairplex website and SoCalMFA’s Facebook Page. Please stay tuned for more information.
Participating artists: Madeline Arnault (Claremont Graduate University), Diego Barrientos (Cal Arts), Aurora Berger (Claremont Graduate University), Deitra Charles (Claremont Graduate University), Patricia Chow (Claremont Graduate University), Ji Soo Chung (UCLA), Carey Coleman (UCLA), Remi Dalton (Cal State San Diego), Yubo Dong (UC Irvine), Stevan Dupas (Cal State Long Beach), Jenny Eisenpresser (Art Center College of Design), Samantha Fitzmorris (Claremont Graduate University), Leslie Frank (Claremont Graduate University), Joshua Freeman (Azusa Pacific University), Molly Gabbard (Cal State San Diego), Eleanor Greer (Cal State San Diego), Timothy Haerens (Cal State San Bernardino), Harrison Halaska (Laguna College of Art and Design), Allison Holland (Cal State Fullerton), Lucy Holtsnider (UC Santa Barbara), Anna Laleggio (UC Irvine), Chloe Jeongmyo Kim (Otis College of Art and Design), Aleya Lanteigne (Cal State Sand Diego), Jian Liang (Claremont Graduate University), Jane Margarette (UCLA), Michelle Nunes (Cal State Northridge), Shane McClatchey (Laguna College of Art and Design), Moses Muturi (Cal State San Diego), Aydinaneth Ortiz (Cal Arts), Joshua Rains (Univeristy of Southern California), Rebecca Rich (Claremont Graduate University), Celia Rocha (Otis College of Art and Design), Heather Roessler (Cal State San Bernardino), Cintia Segovia (Cal State Long Beach), Kamaria Shepherd (UCLA), Nicole Waszak (Cal State San Diego), Charisse Weston (UC Irvine), Amy Williams (Cal State Long Beach), Ji Hyun Won (University of California Riverside), Jonathan Yacoub (Claremont Graduate University), Zebulon Zang (UC San Diego), and Benjamin Zhao (Claremont Graduate University).
Claremont Graduate University
Millard Sheet Arts Center
About Howard N. Fox
From 1985 through 2008, Fox has organized numerous major exhibitions and authored their catalogues. Some of his exhibits include Avant-Garde in the Eighties (1987), A Primal Spirit: Ten Contemporary Japanese Sculptors (1990), Lari Pittman (1996), and Eleanor Antin (1999). Fox recently returned to LACMA as guest curator for the critically acclaimed survey exhibition Playing with Fire: Paintings by Carlos Almaraz.
About David Pagel
In addition to his position at CGU, Pagel is an adjunct curator at the Parrish Art Museum in Water Mill, New York. He also writes regularly for the Los Angeles Times. Since 1988, he has published reviews, features, and essays in Artforum, Art in America, Flash Art, frieze, and Art Issues, where he was reviews editor from 1998 to 2001.
About CGU Art and the School of Arts & Humanities
The School of Arts & Humanities is home to a unique approach to graduate education, offering students the opportunity to study in and across disciplines as they “follow the problem.” Its research and teaching transcend academic boundaries and disregard the artificial divides between theory and application. Intimate seminar-style classes mean students build close working relationships with faculty-mentors, who in turn will help them thrive academically and launch meaningful careers.
About Fairplex and the Millard Sheets Art Center
Through its exhibitions, educational programs, events and workshops, the Millard Sheets Art Center provides the community with meaningful experiences within the world of visual arts. As part of The Learning Centers at Fairplex, the center engages the community at multiple levels of education and its exhibitions promote the rich and diverse cultures that lie within Los Angeles County and Southern California. Fairplex is an educational and entertainment complex that is home to the L.A. County Fair and 500 year-round events.
Diane Williams | INcongruence A solo show exhibition at Gallery 825
825 North La Cienega Blvd. Los Angeles, CA 90069
March 17 – April 20, 2018
Opening reception: March 17, 6pm-9pm
Gallery 825 in Los Angeles, California is pleased to present INcongruence, a solo show exhibition by Diane Williams.
Diane Williams is a Los Angeles based artist whose work includes several disciplines to approach the subject of xenophobia and gender bias. In her work, Williams seeks to find a common ground between the art she makes and the community at large. The project aims to reflect the immigrant communities as well as the whole nation, illustrating the idea of an extended community while challenging assumptions and norms.
INcongruence involves a participatory art piece and an installation that will confront viewers, turning them into active participants. The installation consists of 8 large modules made out of wire, recycled and manipulated fiber such as: yarn, thread, fabric, and shredded paintings, interwoven together and creating an immersive structure that fills Gallery 825’s largest front space. These materials have personal history, discarded or purchased from the artist’s neighborhood Thrift Shop in Glassell Park and the Fabric District in Downtown Los Angeles called Santee Alley, frequented by many lower and middle income immigrant families. Williams intertwined these elements into modular weavings, reminiscent of protest signs and roadside memorials that will operate as obstructions, confinement and disruptions. The polychromatic modules are an amalgamation of diverse textures and components. A reminder that America is clearly divided as a nation but we have more in common than we are often led to believe. Diversity is what makes this country great.
About Diane Williams
Diane Williams is a multidisciplinary artist living and working in Los Angeles, CA. She earned her BFA degree from California State University, Long Beach in 2013. Her work has been featured in select publications and exhibited in solo shows including Beautiful Creatures at Cerritos College Gallery (2018) and several group exhibitions: With Liberty and Justice for Some at Walter Maciel, Culver City, Personal Narrative at the Annenberg Beach House Gallery, Santa Monica (2017), WE: Visual Reflections of the American Experiment, Azusa Pacific University, Azusa. Williams has works in both private and public collections: National Immigration Law Center, Los Angeles and Washington DC headquarters (2016) and Azusa Pacific University (2017). She’s currently working on a solo show in March of 2018 at Gallery 825 in Los Angeles and a residency at Museum of Art and History – MOAH, Lancaster, CA scheduled for late 2019. http://www.dianewilliamsartist.com
About Gallery 825
Gallery 825 is the exhibition arm of the Los Angeles Art Association. Purchased in 1958, the gallery, which is located in the heart of Los Angeles at 825 North La Cienega Boulevard, provides LAAA artists with a professional venue in which to show their work.
March 17th-April 20th, 2018 Opening reception: Saturday, March 17th, 6-9 p.m.
LAAA | Gallery 825 825 N. La Cienaga Blvd., CA 90069 Ph. 310.652.8272
Randi Matushevitz’s unmasked expressionism
(Los Angeles, California) – Gallery 825 is pleased to present a solo exhibit with L.A.-based artist Randi Matushevitz whose works on canvas deliver an unmasked view of humanity within our current socio-political climate. Matushevitz’s themes of social inequities seen from the point of view of the homeless and technologically-mobile paint a stark portrait of humanity.
Matushevitz further draws upon contrasts materially, through dense networks of markmaking, stenciling, spray-painting, and traditional painting in oil and acrylic. The works’ charged positive and negative spaces illuminate her subjects conflating tender vulnerability with violence and dislocation.
Matushevitz draws upon and resonates with the aesthetics of German Expressionism whose adopters reacted to the rise of academic art, nationalism, and militarism leading up to, and during World War I. Expressionism’s narratives advanced humanistic ideas of social displacement, alienation, urbanization and eschewed formal conventions of Impressionism and academic art. In her 2017 essay Expressive Intensity, writer Betty Ann Brown articulated in Matushevitz’s art, an essential expression of the “…the human condition, our quest for connectivity, and the pain we all suffer in this earthly existence.”
The public is invited to attend Matushevitz’s opening reception on Sunday, March 17th, 6-9 p.m. where the artist will be on hand to discuss her techniques and questions.
Kathryn Hart recently had work showing in Trappings at LAAA/Gallery 825 and will be in Huddle 2 at Shoebox Projects opening March 17. Kathryn is looking forward to a trip to New York in May where she will be showing at A.I.R. Gallery in Brooklyn and in a solo show at School of Visual Arts in Manhattan. Kathryn was recently written up in Diversions LA.
I am a multi-disciplinary artist whose art reflects the human condition — all of its crags, crevices, revelations and secrets — and a belief in an endless ability to rise from the ashes. Mixed media artworks are rooted in personal history and plumb the depths of an inner darkness and an inner light. In essence, the work is about life, death, and hope.
Current artwork delves into identity and the lasting core which survives the white noise from society, family and personal experience. Newest are multi-part, ‘flexible,’ hanging sculptures using wire, mixed media, and found objects. These invite curatorial creative input into the presentation through lighting direction and movement, and component inclusion and movement to offer a continually varied viewer experience. The perpetual dance of the shadow and conscious selves is illuminated.
Other pieces are physically palpable and bridge the genres of sculpture, painting and assemblage. Dozens of layers yield surfaces rich with archeology, reflecting the complexities of human existence. Creations become ‘entities.’ Forms extend beyond support boundaries, jut outward and encroach the viewer’s space. Uncensored raw materials are chosen for their symbolic and physical presence. Being raised by scientists and surgeons, and a career in organ and tissue transplantation research, ingrained a fascination with physical and psychological intricacies. The detail and the whole are equally important. Observing my father during his plastic surgery procedures etched suturing, cutting and tearing into my repertoire. Yet, my aim is reveal the underbelly, not veil it.
Identifying himself as a Queer Artist, John Waiblinger creates art images that celebrate male beauty. He came to his practice in middle age when he realized that digital tools offered him the chance to translate his ideas into reality. John’s series, “Journey”, will be on view in “Window Dressing” at Cerritos College Art Gallery March 19-26, with an opening reception Monday, March 19, 4-6 pm.
These images are reflective of my growing body of work around a theme I’ve been exploring for some time now … my own relationship with male beauty, eroticism and romanticizing a Queer sensibility. I’ve been re-visioning some of the images I’ve collected over the years, establishing them in a new context, from a different perspective. Many of the men in these images have been collected from ‘hard porn’ sites and I’ve re-positioned them, re-imagined them in a different context, merging them with my own photographs as the basis for this re-visioning. So each work is a layering and recombination of two very different images.
The work is rather emotionally driven. Each of these men or couples has touched me on both an emotional and aesthetic level – caught my eye (and my “heart” so to speak) from a perspective other than raw sexuality, and I strive to communicate that vision in each piece. My thought is to perhaps humanize, respect and admire them from another angle than the context in which they were originally captured. Each of these men exists, after all, outside of the context of pornographic performance. My engagement with these images encompasses many hours of re-thinking and re-imagining who these men might be and my own sense of relationship with them.