Shoebox PR’s manifesto for surviving in the Art World
Find your community or make one
Patience and perseverance
Be easy to work with
Generosity begets Generosity
Make bad art (Thanks Kiel!)
Read/Research – keep looking at art and keep learning about art
Have meaningful experiences
produce good quality and original work
Learn to say no
Don’t be afraid to ask, you may get a yes
“The Only Rule is Work”
You be you – Stay true to your vision and yourself
Compete only with yourself
Keep working (hard)
Consider your endgame (goals, goals, goals)
Be open to the twists and turns on your career path
You can’t sell art if you don’t show your art
Learn to live with rejection. It is not you, it’s them.
Practical info for artists:
Have the best photos possible of your work for submissions
– No reflections, angles, shadows
– make sure the coloring in the photo matches the actual artwork
Use Facebook and Instagram to its fullest potential
Have a mailing list and send out newsletters quarterly
Check your emails/texts/FB messages daily and answer immediately, especially if it pertains to your work.
Have your work ready to hang when dropping it off at the gallery AND have all of the info/paperwork signed and filled out.
Meet Deadlines and promote the shows you are in on social media and in your newsletters.
Support your artist friends, galleries, institutions either by going to the openings, visiting/studio visits during business hours or following and engaging on social media.
Build a large body of work(s) for several shows. Be ready when you are invited to show.
Start a blog on your website to help drive people to your website.
Surround yourself with supportive people
Perfect your elevator speech about your work. Learn to talk about your art in an easy and articulate manner. Be honest, humble, meaningful. Be a storyteller for your work.
Once you set a price for your work, you can never lowe that price. be responsible when pricing your work. Do you want to get it out into the world or keep it close to the vest and only sell limited pieces for more money?
Business outreach is critical – be proactive and follow-up
Have all of your supporting materials, CV, BIO, Artist Statement ready to go at a moments notice. If you don’t have a professional artist statement, hire someone to write it.
Make it easy to buy – have a square reader with you at all times, or venmo AND a price list on your phone. When someone asks you for a price, you can easily look it up.
Art Talk with Prof. Gregory Mattson
Saturday 10/20 130-3pm
Los Angeles Center for Digital Art
104 East 4th Street
Los Angeles Ca 90013
*An Iconography of Desire
John Waiblinger is a new media artist who explores masculinity and desire through his Post Photography compositions. Hailing from an academic background with degrees in English, Women’s Studies and Library Science, Waiblinger redefined himself as an artist in his early 60’s, first exhibiting work at the Los Angeles Center for Digital Arts.
The Beauty of Men* (an iconography of desire) is Waiblinger’s first solo show, appropriately taking place at the gallery in which he first showed his work. His work presents men he has appropriated via their pornographic performance and reconstructs then within the realm of his imagination.These images combined with his own photographs portray a masculinity that celebrates softness and intimacy that he believes creates a tension between the normative and the transgressive. Waiblinger states that his intent is “to investigate and illustrate how such juxtaposition can broaden perceptions and understanding of masculinity.”
Waiblinger uses his fixation on the beauty of men to transfigure the carnal into his own embodiments of adoration and celebration.
John Waiblinger is a new media artist who explores masculinity and desire through his Post Photography compositions. Hailing from an academic background with degrees in English, Women’s Studies and Library Science, Waiblinger redefined himself as an artist in his early 60s, first exhibiting his work at the Los Angeles Center for Digital Art (LACDA) in 2014. Since then he has continued to exhibit in galleries and has established a small group of collectors. His most recent work was a collaborative installation project with artist Sean Yang at the Cerritos College Fine Arts Department focused on the “coming out process”. Waiblinger is a member artist of LACDA and was accepted as a member of the Los Angeles Art Association this year.
May 2-30, 2018
School of Visual Arts Project Spaces CE
The School of Visual Arts (SVA) presents Searching, a solo show by artist Kathryn Hart. The exhibition will be on view from May 2-30, 2018 in the Project Spaces CE locations at 209 East 23rd Street, Main floor, and 380 2nd Ave, 8th floor. This is Hart’s first solo show at the SVA.
In this solo exhibition, Hart explores the web of emotions confronted in the search to begin anew, and the burden of choice. She continues her dialogue with evolving identity and the hope for new beginnings amidst a maze of emotional conflict, pain, and self-doubt.
Hart offers, “after life leaves us tumbled upside down, completely derailed, we pick ourselves up and begin the search for…personal truth, enlightenment, growth, love, connections, a place to feel comfortable, a place to call home. We even search for the place to start the search. My flightpath was obliterated by an onslaught of happenings – my husband’s cancer, the deaths of both my parents, and my own struggle with an ongoing disease and trauma. How do I move forward?
The search starts with one intent, one thought, one moment, one breath, one catalyst, one cell, one dot. A series of dots, actions, sparks, ideas, or energy becomes a line, a trajectory. Lines reveal potential paths ahead and scars of the ones just followed.”
Kathryn Hart presents this theme across an array of media, which further illustrates the plethora of options for the journey. An on-site installation of hundreds of lines, wires and embedded glass lenses explores the miasma of available routes, some more circuitous and arduous, some involving forced self-reflection. Hart uses these laboriously hand tied knots and line to translate a period of unsettling uncertainty into a path to move forward. Shadowy lines hover behind the actual as beacons or footprints. Ink drawings, reminiscent of ancient cave drawings, indicate the inception of thought and movement. Abstract black and white photographs of found bones allude to structure, life, and an archeological excavation for hidden meanings. There is simplicity and strength in their starkness. The exhibition also includes complex hanging sculptures with line and objects embedded into dense surfaces. In all the presented artworks, Hart examines the dichotomies of movement and stillness, contemplation and decision, and space and line, and the importance of the duality in the search.
“Line represents journey, connections, strength, simplicity, scars, tethers, and choice. Knots can be entanglements, junctures, bindings, obstacles, hurdles, gates and coupling. I learned suture knots from my plastic surgeon father. His knots would both join and conceal.”
Hart delves into the tension between the search and choice, and ultimately, personal accountability. “We are bound by the choices we make. In the end, my search and its discoveries are all up to me.”
“I am inspired by many artists, particularly the poetry and bravery of Eva Hesse, the bold structures of Lee Bontecou, and the power and personal revelations of Louise Bourgeois.”
Kathryn Hart is a multi-disciplinary artist who exhibits frequently in New York City, throughout Europe, and most recently, Los Angeles. Museum, solo and group shows include Ateneo de Madrid (Madrid, Spain), Howland Cultural Center (Beacon, NY), IDEA Space/Colorado College, Andre Zarre Gallery (NYC), the Chelsea Art Museum (NYC), ArtHaus (Denver), Galerie SD Szucha 8 (Warsaw), Galeria 33 (Poland), Zamek w Goluchowie, (Poland), Myslenice Cultural Center (Poland), the Oceanside Museum of Art (CA), Museo de Castello de Estense (Italy), The Mitchell Museum (MD), Southern Nevada Museum of Fine Arts (Las Vegas), and the Colorado History Museum.
Her artwork is in the public collections of the Ministry of Culture of France, the Ministry of Culture of Poland, the Southern Nevada Museum of Fine Arts, the Myslenice Cultural Center (Poland), and many private collections worldwide.
International awards include scholarships from the Council of Europe (2016), and the Ministries of Art and Culture of France and Poland (2015, 2014), and the United Nations Harmony for Peace Award (2010).
Hart is a member of A.I.R. Gallery in Brooklyn, NY. She holds a B.A. from Boston University, an MBA from the University of Texas at Arlington, and has extended studies in art from the School of Visual Arts in NYC and the City of London Polytechnic. Hart lives in Colorado.
(Los Angeles, California) – Jason Vass is pleased to present Lines of Inquiry, an exhibition of paintings and works on paper by A.M. Rousseau. Rousseau is a multi-disciplined artist, writer and photographer currently living in Southern California who has exhibited her work nationally and internationally. Rousseau’s works are imbued with an investigation of line. She takes her inspiration from a Paul Klee dictum: “Take a line for a walk, aimlessly for the sake of the walk.” She sees each line as a metaphor for the way life happens: one point leading to another, ever changing. For her, “Every line is a reflection of individual will, a unique indicator of purpose and direction, just as in hieroglyphics, a kind of handwriting that can be read if the system of mark making is understood.”
The works on view range from black and white works on paper like Downward Hang, and Left Leaning in which a succession of quasi concentric black lines gracefully flow as if suspended across two supports. The algorithm used in creating these works becomes more complex as Rousseau moves across multiple sheets of paper adding color into the mix. In works like Fire and Ice Quartet and 100 Line Rush Triptych the undulating curves have a wave-like pattern reminiscent of an abstracted ocean. When Rousseau moves from paper to canvas and from ink and colored pencil to acrylic paint, she begins to fill in shapes creating denser compositions where the linear elements originate from a central core.
Rousseau’s lines are both gestural and used to outline geometric forms as in Perspective Collective and Spiral Quartet. Her work has much in common with the timeless quality of ancient Chinese and Japanese calligraphy, at the same time as it is firmly rooted in contemporary art practice as comparisons to works by conceptual artists Sol LeWitt or Robert Mangold are apt as are connections to the works of Julie Mehretu.
A.M. Rousseau received her undergraduate degree from the Massachusetts College of Art and a Master’s Degree in Fine Art from Pratt Institute, Brooklyn, NY. She is the recipient of a National Endowment in the Arts Fellowship, The Djerassi Foundation Affymax Fellowship, the Rockefeller Foundation’s Bellagio Artist Residency, Yaddo Artist residency, the Virginia Center for the Arts residency, the Manhattan Borough President’s Award for Excellence and Service in the Arts, and the Harc Foundation Award. She has been exhibiting since 1990 including most recently exhibitions at the Upland Museum of Art (2017), the Ruth Bachofner Gallery, Santa Monica, CA (2016), CMay Gallery, Los Angeles and Korea (2015).
Los Angeles based Jeff Iorilloworks with a variety of media to create sculptural pieces that resonate in the subconscious of the viewer. Jeff has recently been in Black at The Loft at Liz’s. In April, he will be part of “Scranch”, a group happening in Twentynine Palms. Then, opening May 3, he will be in a three-person show at LA Artcore Brewery Annex.
I’m a Los Angeles-based painter, sculptor and filmmaker working in acrylic, enamel and mixed media on canvas, masonite, and metal, as well as clay, plaster, sheet steel, and video.
I am essentially a process artist, inspired by the investigation of materials and methods. This ongoing process exploration leads to distinct bodies of work, whose consistent throughline is a bold abstract approach pushing mass and momentum, color and gesture. I’m interested in seizing the attention with an immediate impact, then holding it with a dynamic technique and details that encourage speculation.
I’m looking to create images and objects with a presence that feels substantial, inhabited. I’m less interested in communicating my own story than I am in providing a moment of contemplation that invites the viewer to create their own. I’m going for work that has a tone, a feeling specific to itself.
The work lives at the boundary between control and chaos: a specific, usually invented, technique pushed to its breaking point to achieve a spontaneity and unrestrained quality beyond my original intention.
Shoebox PR is proud to share the exciting work of our artists and their latest exhibitions. We are honored to work with a diverse group of contemporary artists whose work ranges through conceptual, narrative, surreal, technical, historical and scientific. You will find them poetic, heart wrenching, awe-inspiring and more. Our artists are collected; they have press histories, growing resumes and they are making things happen.
If you are planning an important and thought provoking exhibition, our artists may provide the impact you want. We are happy to arrange studio visits, interviews and articles with our growing list of emerging and mid-career artists.
Thank you so much for your continued support. We would love to hear from you.
Glenn Waggner’s latest body of work combines landscapes, architecture and figures in alternate worlds. His solo show, The Existential After Party, at Neutra Institute Gallery & Museum, opens March 31, with a reception 7–10 pm, until April 15.
Shoebox is pleased to welcome Frederika Roeder to our group. Frederika is a painter influenced by a passion for extreme sporting, as a surfer and skier. She is currently showing Naked As a Daisy exhibit at Shockboxx to March 25 and in Art in Place at Art Exchange until May 6. She will also be in StArt Up Art Fair San Francisco April 27-29.
Robert Nelson is gearing up for a busy 2018. Robert has work in “Bottle Rocket to the Future” at Lyceum Gallery presented by West Coast Drawing until April 15 and you can find Robert’s work in Art in a New Place, at Art Exchange in Long Beach until May 6. Coming up this year, Robert has two solo shows. From August 11 to September 30, Robert will be at MOAH Lancaster with new work and then, running October 20 to November 30, Robert’s Dialog with the Future series will be at LAAA/Gallery 825.
Douglas Tausik Ryder creates large scale sculptures that replicate the look and feel of traditional, crafted objects but are made with computer-aided technology. Douglas will be having a solo show of his large works at Jason Vass Gallery in October.
Steve Seleska has recently closed shows at Irvine Fine Arts Center, Shoebox Projects, Coagula Curatorial and the San Luis Obispo Museum of Arts. Steve is currently at work in his studio getting ready for future exhibitions.
Jeff Iorillohas work in Black at The Loft at Liz’s until March 26. In April Jeff will be part of “Scranch”, a group happening in Twentynine Palms. Then, opening May 3, he will be in a three-person show at LA Artcore Brewery Annex.
Hosted by Claremont Graduate University
Juried by Howard N. Fox
Opening reception: Sunday, March 25, 2-6 pm
Exhibit on view from March 24 – June 2, 2018
Millard Sheets Art Center (at the Fairplex)
1101 W. McKinley Avenue, Pomona, CA 91768
Gallery Hours: Saturday and Sunday, 10–5pm
By appointment only Monday through Friday.
To make an appointment, contact Thomas Canavan at email@example.com
or email the SoCalMFA team at firstname.lastname@example.org
SoCalMFA reflects an increasingly diversified portrait of emerging artists in L.A.
This year’s SoCalMFA organizers, in conjunction with the Millard Sheets Art Center and Claremont Graduate University, are pleased to announce the third and largest annual Southern California MFA exhibition in Millard Sheets’ newly-renovated facility. Juried by Howard N. Fox, the exhibit captures 42 artists representing 17 Southern California MFA programs, using media that includes painting, fabric, sculpture, video, photography, installation, drawing, mixed-media, and more. Taken together, this exhibit is a barometer of the diverse critical and aesthetic concerns that will shape artistic production in Southern California for years to come. The exhibition also reflects Claremont’s Graduate University’s leadership as a center for artistic and cultural production in Southern California at the graduate level.
This year’s SoCal MFA organizing team is made up of former and current Claremont Graduate University students Madeline Arnault, Chelsea Boxwell, and Megan Kinney. The exhibition is the largest MFA exhibition in both number of works exhibited and number of schools represented. The 2018 exhibition includes 17 out of 18 eligible MFA programs in Southern California.
Since 2016, the SoCalMFA exhibit has called upon a guest juror to select works and curate, beginning with Steve Comba (2016) and Amanda Ross-Ho (2017). This year the juror will be Howard N. Fox, an independent curator and former Curator of Contemporary Art at the Los Angeles County Museum of Art (LACMA).
We invite the public to explore this exhibition’s complex perspectives and overlapping themes and invite you to attend the exhibit’s opening reception on Sunday, March 25, from 2-6 p.m.
Accompanying the exhibition will be a public panel led by CGU Professor of Art Theory and History and LA Times art critic David Pagel. The panel will be free and open to the public and will address the culture of the MFA program. Selected artists from the exhibition will join Pagel in this discussion with a Q&A session from the audience. Dates and times will be posted on the Fairplex website and SoCalMFA’s Facebook Page. Please stay tuned for more information.
Participating artists: Madeline Arnault (Claremont Graduate University), Diego Barrientos (Cal Arts), Aurora Berger (Claremont Graduate University), Deitra Charles (Claremont Graduate University), Patricia Chow (Claremont Graduate University), Ji Soo Chung (UCLA), Carey Coleman (UCLA), Remi Dalton (Cal State San Diego), Yubo Dong (UC Irvine), Stevan Dupas (Cal State Long Beach), Jenny Eisenpresser (Art Center College of Design), Samantha Fitzmorris (Claremont Graduate University), Leslie Frank (Claremont Graduate University), Joshua Freeman (Azusa Pacific University), Molly Gabbard (Cal State San Diego), Eleanor Greer (Cal State San Diego), Timothy Haerens (Cal State San Bernardino), Harrison Halaska (Laguna College of Art and Design), Allison Holland (Cal State Fullerton), Lucy Holtsnider (UC Santa Barbara), Anna Laleggio (UC Irvine), Chloe Jeongmyo Kim (Otis College of Art and Design), Aleya Lanteigne (Cal State Sand Diego), Jian Liang (Claremont Graduate University), Jane Margarette (UCLA), Michelle Nunes (Cal State Northridge), Shane McClatchey (Laguna College of Art and Design), Moses Muturi (Cal State San Diego), Aydinaneth Ortiz (Cal Arts), Joshua Rains (Univeristy of Southern California), Rebecca Rich (Claremont Graduate University), Celia Rocha (Otis College of Art and Design), Heather Roessler (Cal State San Bernardino), Cintia Segovia (Cal State Long Beach), Kamaria Shepherd (UCLA), Nicole Waszak (Cal State San Diego), Charisse Weston (UC Irvine), Amy Williams (Cal State Long Beach), Ji Hyun Won (University of California Riverside), Jonathan Yacoub (Claremont Graduate University), Zebulon Zang (UC San Diego), and Benjamin Zhao (Claremont Graduate University).
Claremont Graduate University
Millard Sheet Arts Center
About Howard N. Fox
From 1985 through 2008, Fox has organized numerous major exhibitions and authored their catalogues. Some of his exhibits include Avant-Garde in the Eighties (1987), A Primal Spirit: Ten Contemporary Japanese Sculptors (1990), Lari Pittman (1996), and Eleanor Antin (1999). Fox recently returned to LACMA as guest curator for the critically acclaimed survey exhibition Playing with Fire: Paintings by Carlos Almaraz.
About David Pagel
In addition to his position at CGU, Pagel is an adjunct curator at the Parrish Art Museum in Water Mill, New York. He also writes regularly for the Los Angeles Times. Since 1988, he has published reviews, features, and essays in Artforum, Art in America, Flash Art, frieze, and Art Issues, where he was reviews editor from 1998 to 2001.
About CGU Art and the School of Arts & Humanities
The School of Arts & Humanities is home to a unique approach to graduate education, offering students the opportunity to study in and across disciplines as they “follow the problem.” Its research and teaching transcend academic boundaries and disregard the artificial divides between theory and application. Intimate seminar-style classes mean students build close working relationships with faculty-mentors, who in turn will help them thrive academically and launch meaningful careers.
About Fairplex and the Millard Sheets Art Center
Through its exhibitions, educational programs, events and workshops, the Millard Sheets Art Center provides the community with meaningful experiences within the world of visual arts. As part of The Learning Centers at Fairplex, the center engages the community at multiple levels of education and its exhibitions promote the rich and diverse cultures that lie within Los Angeles County and Southern California. Fairplex is an educational and entertainment complex that is home to the L.A. County Fair and 500 year-round events.