Robert Nelson, “Awakening” at MOAH

Robert Nelson, “Awakening” at MOAH

Robert Nelson
“Awakening”

Solo Exhibition

Opening August 4, 4-6pm
On view through September 30, 2018

Museum of Art and History
665 W. Lancaster Blvd.
Lancaster, CA 93534
Tuesday-Sunday 11-6 PM
Extended Hours Thursday 11AM-8 PM

https://www.lancastermoah.org/
https://www.robertnelsonart.com/

L.A. ARTIST ROBERT NELSON’S A.I. AWAKENING AT MUSEUM OF ART AND HISTORY, LANCASTER, CA

Robert Nelson is encouraging viewers’ Awakening in his new exhibition, a part of The Robot Show at the Museum of Art and History opening this August.

Using a vivid palette, mixing pop and surrealist styles, Nelson juxtaposes images that play with deep, edgy ideas of technology. The artist poses the question as to whether the ease of technology use will lead to great good or great evil, and wonders whether in the end, technology will destroy us or save us.

“Awakening for us is an ongoing, never-ending process,” Nelson explains. “What of our creations? Is the capacity there for an awakening, and if so, what does that mean? Will it be in our image or from their own design?”

In this series, he posits that an awakening for our technological creations could result in a transcendence that will surpass what human beings can obtain. For the artist, humanity is not necessarily the end goal of evolution.

Posing these questions, Nelson uses images taken from the Renaissance, while employing a retro-future imagery, leading viewers to explore the compression of time as well as the potent potential of technology.

Throughout Awakening, Nelson’s vibrant colors and delicate, detailed compositions lend themselves to an intimate contemplation of provocative questions. “Why would these beings be like us in any way? We could merely be a step in the evolution to create this artificial intelligence and allowing it to awaken.”

The centerpiece to Nelson’s exhibition is “Pandora’s Child,” a triptych that features a stunning robotic figure, arms akimbo, with a heart in its chest. On either side of the figure, two Mickey Mouse images, mouse ears partially lifted to reveal human brains and mechanical gears inside their heads, pay tribute to the central figure. Above them all, angels, flowers, plummeting planes; at their feet, the water rises, a bed of human skulls beneath the flow. A powerful image that portends both man’s destruction and the approval of Heavenly angels, the work is created in Nelson’s typically brilliant hues, with references to time past as well as the future, a future which may be – now.

WWW.robertnelsonart.com
@robert_nelson_art
Twitter.com/robnelsonartist

MOAH is located at:
665 W. Lancaster Blvd.
Lancaster, CA 93534
Tuesday-Sunday 11-6 PM
Extended Hours Thursday 11AM-8 PM

Author

Kristine Schomaker is a new media and performance artist, painter and art historian living and working at the Brewery artist complex in Los Angeles. For over 14 years she has been working with various interdisciplinary art forms including online virtual worlds to explore identity and the hybridization of digital media with the physical world. Whether virtual or physical, the object-based work Kristine creates combines elements of color-based gestural abstraction, animation, pattern and design, neo-Baroque and Populence. Using installation, text, photography, mixed media, video and performance for her ongoing conceptual project My Life as an Avatar, she visualizes a narrative/dialogue with her virtual persona, Gracie Kendal. Kristine then documents her experiences on her blog. In 2012, exploring ideas of community, Kristine turned a local gallery into a modern day creation of Gertrude Stein’s salon of the 1920’s with a live mixed-reality dinner party merging the physical world with the online virtual world. Over the summer she also performed The Bald and the Beautiful in which she had her head shaved as a statement to challenge society’s standards of beauty. Currently, Kristine is working as an Artist-in-Residence through the Linden Endowment for the Arts creating an immersive virtual environment which she is planning to bring into the physical world via sculpture/public art work.

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