Artist and naturalist J.J. L’Heureux Opens Several Exhibitions Across the United States

Artist and naturalist J.J. L’Heureux Opens Several Exhibitions Across the United States

Ross Ice Shelf

J.J. L’Heureux

 

Artist and naturalist, J.J. L’Heureux has traveled to Antarctica seventeen times since 2000 documenting the landscape, the creatures that live there and attempts at human habitation. She recently returned home to open several exhibitions at museums and galleries across the United States.

J.J. L’Heureux is a visual artist based in Venice, CA who makes documentary style photographs as well as paintings and collages. She is an environmentalist who is interested in the micro and the macro. This has led her to photograph both near and far— the community around her Venice Beach studio as well as the exotic Antarctic landscape.

In 2000 L’Heureux made her first foray to Antarctica and returned every year thereafter accumulating a huge archive of digital images that range from close-ups of albatross and penguins, to expansive shots of the Ross Ice Shelf as well as more intimate pictures of Sir Ernest Shackleton’s hut at Cape Royds. L’Heureux initially traveled to Antarctica to photograph the patterns of ice and snow as source material for a series of abstract paintings. She was seduced and intrigued by the beauty of the white on white wilderness and realized there were more aspects of the landscape that attention must be paid to that she expanded her project to include photographing Antarctica’s environs, wildlife and history.

L’Heureux is a naturalist and true adventurer. Her numerous photographic series include images of penguins, seals and polar bears as well as photographs of the people she encounters on her expeditions. To travel so far and endure harsh conditions takes a seasoned traveler and if L’Heureux was not that before her first journey she has certainly become one.
In order to make the photographs included in her vast and amazing archive she experienced Antarctica as a passenger on a Russian icebreaker, participated as an art and photography lecturer on adventure cruises as well as on her own in a small motor sailor, the Golden Fleece, to circumnavigate South Georgia Island. L’Heureux also participated with the South African Penguin Study on Robben Island, South Africa, collecting data that the Marine and Coastal Management Unit of South Africa used to learn about the habits of this endangered species.

L’Heureux’s work has been included in hundreds of national and international solo and group exhibitions since the 1980’s. She attended the San Francisco Art Institute, San Francisco, California, the Academy of Art, San Francisco, California, the Parsons School of Design, New York, New York, and Eastern Michigan University, Ypsilanti, Michigan.
L’Heureux isn’t slowing down. She has 3 solo exhibitions being installed over the next 2 months and she is currently participating in several group exhibitions throughout the United States.

Solo Exhibitions:
“Faces from the Southern Ocean,” Houston Museum of Natural Science, Houston, TX,
June 16, 2017 – March 18, 2018.
“Faces from the Southern Ocean,” New York Hall of Science, NYC,
June 3 – September 8, 2017.
“Faces from the Southern Ocean,” The Explorium, Lexington, KY, March 6 – June 2, 2017.

Group exhibitions:
“Personal Narratives,” Annenberg Beach House, Santa Monica, CA, February 29 – June 4, 2017.
“At The Museum 2017,” Oceanside Museum of Art, Oceanside, CA, March 4 – August 27, 2017.
“Animalia,” Center for Fine Art Photography, Fort Collins, CO, April 7 – May 13, 2017.
“At The Walker,” Walker Art Gallery, Garnett, KS, April 3 – May 28, 2017.
“Resonance & Memory,” Irving Arts Center, Irving, TX, April 22 – July 9, 2017.

Author

Kristine Schomaker is a new media and performance artist, painter and art historian living and working at the Brewery artist complex in Los Angeles. For over 14 years she has been working with various interdisciplinary art forms including online virtual worlds to explore identity and the hybridization of digital media with the physical world. Whether virtual or physical, the object-based work Kristine creates combines elements of color-based gestural abstraction, animation, pattern and design, neo-Baroque and Populence. Using installation, text, photography, mixed media, video and performance for her ongoing conceptual project My Life as an Avatar, she visualizes a narrative/dialogue with her virtual persona, Gracie Kendal. Kristine then documents her experiences on her blog. In 2012, exploring ideas of community, Kristine turned a local gallery into a modern day creation of Gertrude Stein’s salon of the 1920’s with a live mixed-reality dinner party merging the physical world with the online virtual world. Over the summer she also performed The Bald and the Beautiful in which she had her head shaved as a statement to challenge society’s standards of beauty. Currently, Kristine is working as an Artist-in-Residence through the Linden Endowment for the Arts creating an immersive virtual environment which she is planning to bring into the physical world via sculpture/public art work.

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