The Neutra Institute Museum & Gallery
2379 Glendale Blvd, Los Angeles, CA 90039
Opening reception May 13, 6-10pm
On View May 9 – 28, 2017
Artist Talk May 21st 3pm
Moderated by Kristine Schomaker
Los Angeles- Kira Vollman, longtime contributor and collaborator in both the art and experimental music scene in Los Angeles, will present Ascending Intervals a solo exhibition at Neutra Institute and Museum in Silverlake opening May 13th, 6-10pm.
Vollman is a multi-media artist who mixes painting, photography, sculpture, sound and repurposed scrap to create surreal landscapes and soundscapes, sometimes bringing all of these elements together in one piece. Her exhibition at Neutra can be described as having the ability to transform and transcend. The items she uses in her work, whether it be a mundane home decor item or industrial surplus, scrap metal or tree branches waiting for a chipper, all become about personal transformation. The pieces/installation on view takes as its point of departure the idea of the spaces between—between materials, between structures, between thought and between meaning.
Drawing upon her background as a composer and musician, she often incorporates inter-active sonic elements into her installations and wall sculptures. While the title, Ascending Intervals, refers to a musical term for the intervals of a scale from one note to another, Vollman has appropriated the term as a metaphor for ascension which can be applied politically, spiritually, culturally and personally.
Kira Vollman is a Los Angeles based visual and sound/performance artist who is also the co-owner/director/curator at ARK, an Altadena gallery and performance space. She has performed and exhibited her works throughout Southern California, Europe, and Canada. Vollman has been included in exhibitions at Beyond Baroque, Side Street Projects, Armory Center for the Arts, Sylvia White Gallery and Dangerous Curve. Recently Vollman was interviewed by Kara Tome for GYST Radio.
In addition to creating visual works, Vollman has been active in the local experimental/avant-guard/improv music scene for over thirty five years, both as a multi-instrumentalist and a composer. Non Credo has been Vollman’s main musical outlet with her collaborator and fellow multi-instrumentalist Joseph Berardi.